Orthodox Christian Brigid Page

a page of Brigid information and links in the Festal Celebrations Gallery. “Let Us, the Faithful, Celebrate a Spiritual Feast”

Festal Celebrations’ Gallery Redeeming the time, sanctifying the day… images and ideas incorporating the Life of the Church into the home and life of the family.

Troparion - Tone 1

O holy Brigid, you became sublime through your humility,

and flew on the wings of your longing for God.

When you arrived in the eternal City and appeared before your Divine Spouse, wearing the crown of virginity, you kept your promise

to remember those who have recourse to you.

You shower grace upon the world, and multiply miracles.

Intercede with Christ our God that He may save our souls.

Kontakion - Tone 4

The holy virgin Brigid full of divine wisdom,

went with joy along the way of evangelical childhood,

and with the grace of God attained in this way the summit of virtue.

She now bestows blessings upon those who come to her with faith.

O holy Virgin, intercede with Christ our God

that He may have mercy on our souls.

CD: Medieval Office for St. Brigit: Plainsong Chant

Flame of Ireland: Medieval Irish Plainchant, An Office for St. Brigit, by Canty.

Canty is the female half of Scotland's Capella Nova, a "professional vocal ensemble specialising in early (medieval and renaissance) and contemporary music". Canty was founded in 1998 by Rebecca Tavener to celebrate the 900th anniversary of Hildegard of Bingen.


from the Capella Nova website:
Our programme mostly consists of material for the Office of Matins for the Feast of St Brigit. Matins was the longest and most 'entertaining' of the Offices including a series of nine lections and responsories focussing on the life and attributes of the saint. The full Office would probably be more than two hours in length, so we present a formal, but truncated, version which includes the original lections, but cuts nine of the ten Psalms which would have been sung. The one remaining Psalm is the Venite which forms a delightful structure with its antiphon (Invitatory), alternately whole or in part, appearing between each verse...

The date of the manuscript might have tempted us to perform this material using late-Medieval techniques such as applied measures and improvised harmonies. We have steadfastly resisted doing this, wishing to present the Office in a much more archaic manner, befitting the great antiquity of the sources of the Brigit legends...

...Manuscript 80, from the library of Trinity College Dublin, is the main source relied upon for this recording. It is a fifteenth-century noted breviary, i.e., one which includes notation for the chant melodies. Although we do not know the details of its provenance, it was compiled probably in the fifteenth century and is believed to have been used in the parish of Kilmoone, Co- Meath, from at least 1470 until 1604...

...The wire-strung clairseach was the essential art Instrument of Medieval Ireland. This ancient harp was characterised by a sound box carved from a single block of timber, a substantial arm reinforced with thick metal bands, a stout forepiltar, and brass wire strings. Played with the fingernails, the strings gave a satisfying sustain, which ancient writers described as sounding like bells. Such harps were played in Ireland at least as early as the 10th century, and they appear to have been used in liturgical settings to provide an intoning pitch for the singing of plainsong, to give instrumental preludes or interludes, and to accompany the performance of devotional poetry. As an accompanist, my role is to support both the tonal centre and the emotion of the music. During the Responsories I provide a gentle line of counter-melody which moves in the same direction as the plainsong, but which also offers a subtle. independent commentary on the text. The Lections give an ideal opportunity to accompany a singer as a Medieval storyteller, to present the miracles of the saint's life in a dramatic way, with moments which range from furious decorative filigree to sections of serene, introspective solemnity...

In the notes about Brigit's legends, they state:

We have one favourite miracle that does not appear in this Office, nor in any of the most ancient sources. It was included in O'Hanlon's 'Lives of the Irish Saints' (1800), however, and we would like to think that it belongs to an earlier tradition. When St Brigit was on a visit to Limerick, she called at a chief's house only to find him away from home. Seeing harps hanging on the walls, she asked the young men of the house to play for her. They explained that there were no harpists present, but attempted to play when Brigit's nuns jokingly suggested that the saint would bless their hands. At that point, they suddenly became able to play like trained musicians. Afterwards they became professional harpists, and their descendants played for the kings of Ireland.

'Almighty and everlasting God, who choosest the weak things of this world that thou mayest overthrow the strong, give us in this feast of St Brigit strength of mind and body, that we may with all our heart run to thee. and serve thee in body always.' (Prayer at the end of the Office for the Feast of St Brigit)

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BREAKING NEWS:

Due to the take over of Sanctuary/ASV Gaudeamus by Universal we are unable at the moment to obtain stocks of the following titles. (see right) This is a temporary situation, so watch this space for updates.

The Complete Carver Volumes 1, 2 & 3 Columba Most Holy of Saints The Miracles of St Kentigern Laudes Deo Sacred Music for Mary Queen of Scots The Thistle and the Rose Flame of Ireland Felix Femina