Amy Panetta: Brigit Classes, Updates, and the Fundraiser is Ending In Five Days!

Amy has been raising money to finance a research project in Ireland, which I posted about last month. She has been sending out updates and brewing all sorts of ideas. I thought I would share her latest (and last?) letter with you below. Of particular interest, perhaps, to those of you in the eastern United States, who might be able to attend her classes, but there is much more besides.

From her bio:

Amy Panetta, MA has been teaching music for over a decade in public schools, independent schools (including Montessori, Waldorf, and college preparatory), music studios in Northern New Jersey and the Central Vermont/Burlington areas.  She has experience facilitating West African and Caribbean drumming classes for adults and children in grades 1-12, as well as arranging percussion music for local high school productions.  Other related community involvement includes empowering teenagers in her previous role as Youth Program Coordinator at a Northern New Jersey Unitarian church.  Currently, Amy facilitates WorldSpirit Drum & Song sessions, leads classes discussing the music of Brigid, the pre-Christian goddess and Irish saint, and teaches a variety of private and group music lessons.

Amy holds a Masters of Arts in Ethnomusicology from the Irish World Academy of Music and Dance at the University of Limerick where she spent time studying the dynamics of an on-campus Irish traditional music session; investigating songs written in dedication to Robert Emmet, an Irish hero; formation of community drumming groups; and sacred music written in dedication to Brigid, the pre-Christian goddess and Irish saint.  She has been active in NJ, NY, and MA since 2007 participating in drum circles and classes.  She has studied and been influenced by Marafanyi Percussion, Sanga-of-the-Valley, Mark Wood, Aimee Gelinas, the late Frisner Augustin, and John Bowker in Ireland.  Her related interests include work in the Positive Discipline program for teaching social and life skills, Compassionate/Non-Violent Communication, peace education, progressive/holistic teaching approaches, instructing a special needs population, and integrating spirituality and music.

• Dec 16 at 7:08 PM

Message body

Hello all!

I hope you are all doing well and having a good time getting ready for holiday festivities.  I certainly wish you and your loved ones the warmest holiday season!  

As you know, I started the fundraiser Music of Brigid, Ireland's Patroness back on November 1st (All Souls Day).  This fundraiser drive will end on December 21st - that's only five days away.  If you are feeling generous and would like to support this project, now is a great time to do it!  Just over 20% has been raised.  Thank you all who have contributed!  While the drive will formally end on December 21st, contributions can still be accepted afterwards (if you have any problem with this on the webpage, you can email me for my postal address).

I am happy to announce that I will be teaching several classes coming up in the new year discussing the Music of Brigid, which will include:

• Who the historical Brigid was, both the saint and pre-Christian goddess.
• The traditions in Ireland on St Brigid's Feast Day/Imbolc.
• Weaving Brigid's crosses.
• The nature of the songs dedicated to Brigid and where they are performed.
• Hearing a selection of songs that people have recently composed.
• Learning a song dedicated to Brigid in Irish Gaelic.  (All musical skills are welcome!)

Dates and Locations:

1/12/2017: AwenTree in Easthampton, MA

1/18/2017: Upstairs above the Grian Herbs Apothocary in Montpelier, VT

1/19/2017: Spirit Dancer in Burlington, VT

1/21/2017: Mystic Spirit in Montclair, NJ

You can find out complete information about these classes on my website.  More classes are being added soon.

I am excited that some other opportunities are brewing, such as being a guest lecturer for high school and college students in VT.  Also, I have been accepted to speak at the Celtic Studies Association of North America conference coming up in British Columbia!  

I should mention also, that to make my research more widely accessible, I have decided to start up a new podcast in January 2017!  I should be posting one episode each month with the composers of Brigid songs, as well as experts in disciplines such as Irish and Celtic studies, folklore, and ethnomusicology.  Yay!  

If you are interested in supporting my research project, as well as the contribution I will be giving to the Brigidine sisters in Kildare, Ireland, please visit the following webpage (that includes a short video and description):

>>Click here to donate to the Music of Brigid, Ireland's Patroness fundraiser

I thank you very much for your generosity!  Please share this email with anyone who you think might be interested!

Beannacht,

Amy Panetta

WorldSpirit Music

Review by Morgan Daimler of Stepping Into Brigit (A Course by Mael Brigde)

I was delighted to discover this review on my Facebook feed today. Morgan Daimler (Pagan Portals: Brigid, among others) reviews the second of my online Brigit courses. (The first is Discovering Brigit. If you do that one, at the end you will find a coupon for Stepping Into Brigit which essentially reimburses $13 of the $15 you spent to take DB.)

This review is from Living Liminally: Reflections on Reconstructionist Polytheism, devotion to the Déithe and an-déithe, and living Paganism in a modern world

Top of Form

Bottom of Form

TUESDAY, NOVEMBER 22, 2016

Stepping Into Brigit - a Review

  Many people are familiar with my dedication to the Morrigan but what may not be as widely known is my love of Brighid. It is, by its nature, a different sort of love, but it is just as much a presence in my life in its own way. So when I was asked to help Beta test* a new course 'Stepping Into Brigit' designed for people interested in Brighid to learn about and connect to her I jumped at the chance.

The course is set up as an 11 module course, with each module containing multiple lessons, and is meant to be done - ideally - over a month. With roughly 38 overall lessons to complete (course surveys excluded) one would need to either decide to do one or more lessons a day or set aside time every few days to do a full module in order to finish in a month. What I liked about the set up though is the learning is self paced, so that you can choose to it at whatever speed you like and in whatever fashion works best for you. I took the 'chunky' approach myself and did a full module at a go because that was what worked best with my schedule, although other people may find a slower spacing better.

Each lesson is fairly thorough but also brief. At some points I felt perhaps a bit too brief, but the idea was to take time with each one and contemplate it, write down thoughts and reflections on the material, and really process it, rather than rushing through to get to the next one. They often included outside recommended reading or references to follow up, such as the Story Archaeology's entry on discussing her which should take some time to do. With that in mind the size of each lesson is pretty good, and it really was designed to encourage engagement from the student. I also like the use of mixed media throughout the course which used text, images, videos, and audio clips.

The material looks at Brighid in a holistic manner including both the pagan Goddess as well as the Christian saint, and while I didn't feel the same engagement with the material relating to the saint that reflects more of my own bias than any flaw in the course. It certainly was the most well-rounded view I think I've seen and I can't fault it's fairness in giving an equal voice to all sides. the material is generally presented without any favoring of one opinion over another and with clear citation of sources, allowing a student to draw their own conclusions for the most part about the very complex subject of Brighid pagan roots and Christian history.

Speaking of sources, I really did like the way the course offered a lot of quotes directly from source material. I think often this is the best way to let a student contemplate the original material without the filter of an author's opinion. I also like the amount of poetry included and the way that allowed me, as a student, to experience the material without overthinking it and to appreciate the beauty of the ideas presented. I also liked the option of entering feedback after each lesson, to share personal experiences or thoughts. I did feel there was a lack of more directed exercises beyond the journaling being encouraged, but I acknowledge that not all students want to feel like they have written homework to complete. The overall feel of the course was contemplative and engaging without being tedious or excessively 'school-like' in its feel, which I think will have a wide appeal to modern adult spiritual seekers.

There are many people out there interested in Brighid and many seeking classes or courses online to help them better connect to spiritual things of interest. For those looking to learn about and connect to Brighid I think this course would be a good option, if you find that online courses are generally a good option for you. As with any such course it requires a person to be self-motivated to do the lessons, and to incorporate the material in a practical manner. However for someone who has the desire to truly make use of what this course is offering I think a great deal of valuable knowledge can be gained here.

*to be clear - I was asked to Beta test the course by its creator, but this review is being offered by me freely and without any compensation. As far as I am aware I was asked to help test the course in part because of the book I had written on Brighid and my knowledge of Her, and in the interest of transparency my book Pagan Portals Brigid is recommended reading for this course. However I would not and will not endorse nor recommend anything I do not genuinely see value in and my opinions offered here are honest; had I not seen value in the course on its own merits I would simply not have reviewed it. 

___________________________________________________

ABOUT Morgan

My name is Morgan Daimler. I have been a witch since 1991, an Irish reconstructionist since about 1994, and heathen since 2006; I also practice seidhr. I love studying other paths and other ways of doing things and I enjoy discussing religion, philosophy and spirituality with people from diverse paths. I am a Druid in the CR Druid group the Order of the White Oak, as well as a member of ADF. I try to stay active in the pagan community and am always interested in hearing about how other people are doing things. I have had my poetry and prose published in different places including eight anthologies, Circle magazine, as well as Witches and Pagans magazine. I am the author of the book By Land, Sea, and Sky, the children's book a Child's Eye View of the Fairy Faith which is published through Spero Publishing, and through Moon Books: Where the Hawthorn Grows, Fairy Witchcraft, Pagan Portals: the Morrigan, Pagan Portals: Irish Paganism, and the forthcoming Pagan Portals: Brigid. I also have a self published urban fantasy/paranormal romance series, Between the Worlds.

View my complete profile

“Là Fhèill Brìghde”, by Annie Loughlin

Check out Annie Loughlin's article “Là Fhèill Brìghde” on her site Tairis: A Gaelic Polytheist Website.

Annie is a careful researcher and clear writer, who, bless her heart, graces her site with footnotes. She is also writing from a Scottish perspective, though of course she covers the Irish material as well.

I'll tantalize you with her opening:

Throughout the Gaelic world Brìde is one of the most popular saints, and is commonly known as the foster-mother of Christ and midwife of Mary. An apocryphal tale tells of how Brìde was in Bethlehem at the time of Christ’s birth. She answered a knock on the door and found Mary and Joseph looking for a place to stay, but was forced to turn them away. Before they left, however, she gave them water and some of her own bannock, seeing that they had had a long journey. Once they had left, Brìde turned round to find the bannock miraculously whole and the stoup of water full again. Knowing something out of the ordinary was happening, Brìde went looking for the couple and, seeing a strange star in the sky, followed it and found them in the stable, where Mary was about to give birth. Full of compassion, Brìde went to Mary’s aid and helped deliver her child.1

It is because of the events in this tale that Brìde is given the day before Candlemas as her own festival. Candlemas celebrates the ritual purification of Mary after giving birth, since Mary was said to be so grateful to her for her help. In parts of Ireland, it is said that Brìde helped distract the crowd present when Mary brought Jesus to the temple by parading ahead of Mary wearing a headdress of lighted candles, and it was because of this that Mary decreed that Bride should have a festival dedicated to her on the day before Mary’s own.2

There is often some confusion over the dating of Là Fhèill Brìghde, which is often given the same date as the Christian festival of Candlemas, on February 2. However, bearing in mind the tradition of Brìde being Mary’s midwife, Là Fhèill Brìghde actually falls on February 1 (or February 13, Old Style) the day before Candlemas. Candlemas and Là Fhèill Brìghde are therefore not the same festivals.

Now! Off with you to her website to read the full text.

Fund-Raiser for Brigit Music Research by Amy Panetta

Music Dedicated to Brigid, Ireland's Patroness

 

Amy Panetta, Organizer

Back in 2006, I was completely inspired by the story of Brigid, who is a pre-Christian goddess and saint, and a remarkable figure important to Irish culture and Celtic heritage.  I was going through a time in my life when it seemed that Brigid revealed herself to me through a very interesting series of synchronicities.  I was so taken by her that I read as much as I could about her, and ended up going to Ireland in 2008 for my own pilgrimage.  I was still enraptured by her story long after I returned to the US.  Brigid and the beautiful emerald Isle of Ireland was calling to me, so much so that I took a year-long break from teaching music to study ethnomusicology at the Irish World Academy of Music and Dance at the University of Limerick in Ireland.  My masters thesis was entitled: The Feminine Face of God: Spiritual Vocal Music Dedicated to the Pre-Christian Celtic Goddess and Irish Saint, which discussed the phenomenon since the early 1990s, of songs being written dedicated to Brigid.  I was able to go to her week-long festival around her feast day on February 1st 2010 called the Féile Bríde, to participate and sing songs in the candlelit ritual on Brigid's Eve and attend all of the events dedicated to her that week, including lectures, concerts, and a peace and justice conference.  Since graduating with my masters degree, I have been giving classes to a variety of different types of groups, such as adults, fellow faculty members, and students, about who Brigid is and the songs written about her.  I continue to do academic research and have submitted proposals to speak at conferences.     

I am running this indiegogo campaign, starting on All Souls' Day, November 1, 2016 and ending on Winter Solstice, December 21, 2016, because I intend to raise funds for a research trip to Ireland for the 2017 Féile Bríde festival in Kildare, Ireland.  

By going to this festival, it will help me to continue to do research about songwriters and the songs they write about Brigid.  In addition, this trip will help me to continue to share the beautiful story of Brigid as pre-Christian Goddess and Saint that has already touched the lives, captured the imagination of so many people, and is so important to Irish and Celtic culture and heritage.   

How will my trip benefit others?

• I will provide information through articles I publish to my own research blog that can be accessible by all people with internet access, as well as in future academic journal articles.  
• The information gained will be used in the classes and professional lectures that I give about Brigid.
• This trip will help inspire me to compose my own songs dedicated to Brigid in a songbook that will be due out by February 1st, 2018!  I want to provide others with songs dedicated to Brigid to provide music for individuals and groups to use in their own spiritual practices. 
• ​Some proceeds from this campaign will be given directly to the Brigidine order of sisters in Kildare to continue to support the hermitage that they just built and finished, as well as their great work of hosting pilgrimages, events, and promoting peace, justice, generosity, and compassion, as well as Irish and Celtic heritage.  

 I thank you so much for your help in this project!  It is my dear intention that this project will inspire a new connection for both you and I!  I am excited to announce that there are several donation levels and rewards that are currently offered that will provide something of value to you, such as classes, academic lectures, and other things!  Check back often to see new rewards offered.  If you are interested in a class, they can be arranged for February or another month that works for both of our schedules.  

Please visit http://worldspiritmusic.wordpress.com for more information.

Click here to get to Amy's fundraising page.

What is Generosity? 
Read our mission statement.

Two New Brigit Courses (with Mael Brigde)

I can't believe I forgot to post these here! I have launched two courses on Brigit with Goddess Ink and the Mystery School of the Goddess. The first is a brief introduction which lays the groundwork for the second, a thirty day activation course. Next year I plan to launch a longer immersion course as well.

Something you might want to know before signing up: Discovering Brigit (the intro) is $15 US, but if you follow the link at the end of the course to sign up for Stepping Into Brigit you will receive a discount of $13. Not a bad deal.

It was very rewarding putting these courses together, despite this being a difficult year in other ways. Returning over and over to Brigit and her lore and traditions in the midst of loss gave me sustenance and joy. Now I get to share those efforts with others; a real blessing.

Mael Brigde

(Click below for more details on the courses.)

Oh, Dear. Sacred Beer.

Everybody loves the prayer attributed to Saint Brigit about serving ale to Jesus and his crew. I love it. But maybe this new product is going a tad too far. (AND it is an odd "translation". Although, who knows, maybe they had a different original than the one I'm familiar with. To be fair.) But I bet I will be in the minority on this one. Even sober I can't help cracking a bit of a smile at it.

That is:

I’d like to give

A lake of beer to God.

I’d love the Heavenly

Host to be tippling there

For all eternity.

I’d sit with the men,

The women of God

There by the lake of beer.

We’d be drinking

Good health forever

And every drop

Would be a prayer.

And now the "real" translation. (Of course, I have not read the Old Irish, myself, so what do I know?)

Aengus Cèile Dè

“I should like a great lake of ale

For the king of kings;

I should like the family of heaven

To be drinking it through time eternal.”

                             (8^th century)

Translation found in Beith, M., (1995) Healing Threads: Traditional Medicines of the Highlands and Islands. Thanks to Morgan Daimler, Pagan Portals: Brighid for this.

***

If you would like to purchase, or simply gawp at, this plaque, go to The Catholic Company site:

Saint Brigid "Lake of Beer" Tin Sign

Product Description

•     Creative tin sign themed for Ireland's faith and drink of choice 
•     Original gift idea
•     Easy to feature in a den or office 
•     Features poem by St. Brigid, Patroness of Ireland 
•     Exclusive to The Catholic Company

•    Item #: 9850126
•    Price: $16.95

Details

How about an aluminum sign that instantly enhances the character of a room? This one rouses authentic faith and good spirits.

Saint Brigid's timeless words are captured on a Guinness-inspired pint, and set against a map that traces the geography of Ireland's roving hills.

The size makes it easy to feature in home or office, and has layers of rich meaning and substance every bit as cool as St. Brigid herself.

Dimensions & Specifications

•     8" (W) x 12" (L)
•     2 side holes for easy hanging 
•     Material: Aluminum

Review: Legacy of Druids - Conversations with Druid leaders of Britain, the USA and Canada, past and present by Ellen Evert Hopman

Review of Legacy ofDruids: Conversations with Druid leaders of Britain, the USA and Canada, pastand present by Ellen Evert Hopman (2016) Moon Books.

• Paperback £14.99 || $25.95Apr 29, 2016
  978-1-78535-135-8
  
  
• e-book £6.99 || $9.99Apr 29, 2016
  978-1-78535-136-5
  
  

Full disclosure: I was, to my amazement then and now, interviewed for this book. That is not why I like it, though I confess it is why I wanted to read it in the first place.

Why Review Legacy of Druids on Brigit’s Sparkling Flame?

I wouldn’t normally review a book like this on BSF as it isn’t actually about Brigit. However, there are two reasons to:

1) it contains an early interview of me (September 3, 1996) which discusses my own spiritual path, and of course that involves the origin of the Daughters of the Flame in 1993 and its workings till 1996 (pp 29-39).

2) More generally, it is fascinating from a historical perspective for Neo-Pagans generally, particularly but not exclusively those who identify as Druids or follow a Celtic-based path. Many Brigidines of course are in that number.

Cartimandua and Brigit

The key paragraph here, where Koch and Carey suggest that Brigit and Briganti are correspondents, and that Brigit arose from Brigantes in the Kildare area, and even that she had a "mortal high priestess" there is all speculation, unproven and as far as I know unsupported, but this does help explain why so many people assume it to be true.

from The Celtic Heroic Age by Koch and Carey, 4th edition, 2003.

Three Loaves of Bread

This is lovely.

4 Then eight other virgins also received

the veil together with saint Brigit and the

virgins with their parents said, 'Don't leave

us. Instead stay with us and make your

home in these parts.'

5 Thereafter saint Brigit stayed with them.

 One day there came to Brigit

and her nuns three devout men who were

pilgrims and she regaled them with bread

and cooked bacon. The men ate the bread

but hid the three portions of bacon as they

did not want to eat it.

2 The following day Brigit greeted them

and said, 'See how much bread you have

left over!' When they looked they saw that

the three portions of bacon were three

loaves of bread.

From "Vita Prima Sanctae Brigitae Background and Historical Value", by Sean Connolly. The Journal of the Royal Society of Antiquaries of Ireland, Vol. 119 (1989), pp. 5-49.

Image: By L.Kenzel (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

Art: Lorenzo Lotto, The Legend of St. Brigid

From the Web Museum at Christian Iconography Info, Lorenzo Lotto's mural, The Legend of St. Brigid:

1523-24
Fresco
Suardi Chapel, Trescore, Italy

The panel on the left portrays St. Brigid's taking the veil – that is, her consecration as a nun. The bishop is identified in one source as St. Mel and in another as a St. Maccaille"¹ On the floor at Brigid's left are her former clothes; on the step above them is the white veil she will be wearing. White is traditionally St. Brigid's color, so the yellow habit she wears throughout the fresco scenes is a bit puzzling.²

Above the group of women on the right of this panel we see painted a scene of Brigid distributing milk to the poor. Her veil is not white but gray, a reference to the fact that this episode in her life occurred before her consecration.³

The middle panel gives us three scenes with four episodes from the life of St. Brigid. In the lower foreground, she blesses food and water, turning the water into beer.⁴ Behind her is a further episode in which she cures a blind man. The figure in rags behind the blind man is the "leprosus" who guided him to the saint.⁵ (The texts use leprosus indiscriminately for any poor person who is also ailing in some way.)

In the upper left of the middle panel, Brigid blesses a wild boar who was about to attack a flock (of pigs in the story, here a flock of sheep). Above her is a further scene in which the boar, having been blessed, grazes peacefully among the other animals.⁶

In the panel's upper right scene, the saint calms a storm that was threatening to ruin the harvest.⁷ In a nice touch of Renaissance perspective, Lotto places a well-satisfied harvester in the foreground with a big sheaf on his shoulder.

The episodes in the right panel are most likely drawn from some specific text. In the Suardi Chapel frescoes Lotto tends to follow his written source faithfully.⁸ However, I have yet to find a Life that corresponds to the scenes shown. In the foreground of the street scene, the saint takes a glass pitcher of milk from someone at a window. At her feet, two poor men have taken the pitcher, which is now empty (and perhaps broken – it is hard to tell from the photograph). 

Behind her, a number of what seem to be officials or soldiers are hustling a poor man off-stage.  There is one episode in the Latin vitae in which a poor man is condemned to death for breaking a precious vase and Brigid saves him by restoring the vase.⁹ Conjecturally, that could be what she is doing as she sits above the crowd scene on the second floor of the building.

Lotto's source for these episodes is most likely a work based on Cogitosus' Vita Sanctae Brigidae and partly on the Saint-Omer Vita in the Acta Sanctorum.¹⁰ Of the five vitae presented in the Acta Sanctorum, only Cogitosus has all five of the episodes in the left and middle panels, though Lotto departs from Cogitosus in a few details. Like Cogitosus, Lotto ignores or suppresses the references to fire signs in most other vitae. (Mysteriously prophetic fires are seen while Brigid is still in the womb, after she is born, and when she is consecrated as a nun.¹¹) In Cogitus, this suppression is just one aspect of a persistent  de-mythologizing of earlier tales. In the miracle episodes, for example, the narrator continually attributes these wonders to God.¹²  {See my note below regarding this last statement.}

Detail of the right panel

Detail of the foreground of the middle panel

Detail of the boar scene

Detail of the storm scene

More of St. Brigid

I take exception to the last statement, that Cogitosus is suppressing and demythologizing earlier stories. The evidence points toward Cogitosus's vita being the earliest, and as various authors have argued, much is added in later tales for a variety of reasons: each author from Cogitosus onward has had reasons for portraying Saint Brigit in the way they have chosen. (See Lisa Bitel, Landscape with Two Saints and Isolde Carmody and Chris Thompson "Revisiting Mythical Women 05: The Search for Brigid", for example.)

Christian Iconography Info, by the way, is quite a neat website. It endeavours to help viewers of Christian art unpack what is going on. Attend:

ChristianIconography.info

(formerly at www.aug.edu/augusta/iconography)

Learn how to identify the saints in medieval and renaissance art. 

Read the stories that the paintings refer to. 

Find out the "why" behind traditional elements in paintings of scriptural events. 

Use this search engine....  {HINT: You'll have to go to their actual page to use their search engine.}

Example: if you're curious about a picture of a saint shown with a tower, just enter "tower" into the search field (without the quotation marks). You'll learn she is St. Barbara, and you can read about her, view similar images, and follow a link to the medieval legend about her. 

.....or learn how artists have portrayed specific saints, topics, or scriptural events by clicking on any one of these links: 

A 
Aaron     Abel     Abraham     Acisclus and Victoria ... {Have a look! There are saints galore.}

Book Review: Pagan Portals - Brigid by Morgan Daimler

Daimler, Morgan. Pagan Portals—Brigid: Meeting the Celtic Goddess of Poetry, Forge, and Healing Well, Moon Book (2016). 112 pages.

http://www.moon-books.net/books/pagan-portals-brigid

• Paperback £4.99 || $9.95Mar 25, 2016
  978-1-78535-320-8
• e-book £2.99 || $3.99Mar 25, 2016
  978-1-78535-321-5

AVAILABLE ONLINE FROM: Amazon US, Amazon UK, Hive, Indiebound.

__________________________________________________________________________

An excellent primer, and the best available for getting a a handle on the sources, ancient and modern, for our understanding of Brigit. I can't recommend it highly enough.

Morgan Daimler is the author of a number of books and shorter works of poetry, fiction, and nonfiction, and is gaining a reputation for clearly written, well researched, and extremely useful handbooks such as this one on Brigit.

Brigit is the spiritual being to whom I have devoted decades of my life, in study and devotion and in supporting others in their journeys on Brigit’s path. I discovered in Pagan Portals—Brigid, to my joy, a book that wastes no words—it is a slim volume indeed—but packs into those pages more clear and illusion-lifting information than I have ever seen set out about Brigit.

The reason is this: Daimler has gone straight to the medieval texts, finding references to Brigit and explaining them lucidly—indeed, clarifying for the reader which text treats her in which way, rather than allowing them to blur together in our minds; she tackles the early geography of goddesses-who-may-be-Brigit; she takes the complex blend of ancient, folk, and modern conceptions of Brigit and sorts them deftly out so the reader can see where commonly heard assertions come from and make up her own mind about where to follow and where not.

Daimler explores animal and plant associations and symbols commonly associated with Brigit, such as triplicity, touches on her holidays, prayers, chants, and charms, and looks at the rise of  modern Brigidine myths and flame-tending, as well as providing hints for honouring Brigit today and supplying a diverse resource list and bibliography.

She ends each chapter with a short essay on her personal connection to Brigit, thus grounding the theory in personal practice. Indeed, although emphasis is put on making assertions supported by solid academic material and distinguishing these from our personal beliefs, she is careful to point out that she does not believe that “the religious framework we use to connect to the Gods matters as much as the effort to honor the old Gods itself. I think we can all do this respectfully and with an appreciation for history without the need for any particular religion. Whether we are Reconstructionists, Wiccans, or Celtic pagans all that really matter is that we are approaching our faith with sincerity and a genuine intention.” I would add that this book would be useful to anyone interested in Brigit, goddess or saint, be they NeoPagan, Christian, or secular scholar, for the information is so well laid out that any further studies or devotions would only be enhanced by the reading of this book.

____________________________________________________________________________

From the publisher's website:

Pagan Portals - Brigid is a basic introduction to the Goddess Brigid focusing on her history and myth as well as her modern devotion and worship. Primarily looking at the Irish Goddess but including a discussion of her Pan-Celtic appearances, particularly in Scotland. Her different appearances in mythology are discussed along with the conflation of the pagan Goddess with Catholic saint. Modern methods for neopagans to connect to and honor this popular Goddess include offerings and meditation, and personal anecdotes from the author's experiences are included as well.

Who was Brigid to the pre-Christian pagans? Who is she today to neopagans? How do we re-weave the threads of the old pagan Goddess and the new? Learn about Brigid's myths among the pagan Irish, the stories of Bride in Scotland, and the way that people today are finding and honoring this powerful and important deity to find the answer.

Saint Brigid Press

Well, you can see why this item caught my eye. Apart from the name, unexplained on the website, I see nothing directly referring to Brigit. BUT, I can easily see the associations.

Saint Brigit's monastery was said to have produced fine books; a not uncommon feature of Irish monasteries was the scriptorium. The goddess Brigit was said to be patron of poets, and although they were not then scribbling down their words, we scribble as much as possible now. What finer way to present words than in finely crafted books and broadsheets?

Saint Brigid Press creates these the old-fashioned way. No, not by quill and squinting, but by setting gorgeous typefaces on gorgeous paper and then gluing and sewing and making splendid.

In their own words:

St Brigid Press is a letterpress print shop in the Blue Ridge Mountains of central Virginia. Emily Hancock is proprietor and printer.

We are dedicated to learning, practicing, and passing-on the art and craft of letterpress printing with hand-set type, hand-carved illustrations, foot-powered presses, and hand-sewn books...

“Working with language on an intimate level, from the first ephemeral thoughts of a poem, to the physical sculpture of the letters themselves —
all collaborating to render beauty from experience to expression.”

— Emily Hancock

Brat agus teagasc Bhríde - Seán Ó Colláin

A tale of Brigit, in Irish, with English translation, by Seán Ó Colláin. "Saint Brigit's mantle and teaching" was recorded in 1930 in Co. Galway by Karl Tempel. You can download a copy of the file at the site.

The time when Saint Bridget was in this life, she was the daughter of a poor person. She had spent all of her father's wealth on God's poor. The father did not know what he would do with her. He brought her to the province of Leinster to sell her to (...). He left her outside at the gate. He had a sword and scabbard. He left it with her to keep until he came out...

From the website:

The Doegen Records Web Project

Irish Dialect Sound Recordings 1928-31

Welcome! This archive of Irish dialect sound recordings made during 1928-31 contains folktales, songs and other material recited by native Irish speakers from 17 counties. Crucially, it includes examples of dialects that are now extinct. The collection also includes a speech in English by W.T. Cosgrave, who was head of the Irish government that funded the recording scheme.

• Browse by county, speaker or title using the links on the left, or by clicking a county on the map.
• Information on the speakers’ background, together with a Google Map link, may be found by clicking on the ‘Speakers’ link on the left.
• You can also enter keywords in the search field on the left, e.g. ‘Fionn’, ‘Róisín Dubh’.

We hope that you will enjoy engaging with these songs, stories and speakers and that you will find the experience an enriching one. We welcome further information from you on the speakers or on the data. To send further information for the site please use the feedback facility.

This multi-media archive is a project of the Royal Irish Academy Library in collaboration with the Digital Humanities Observatory.

Song: Chronilus “Brigid”

About a year ago the band Chronilus played Seattle's Pocket Theater, with the belly-dancing troupe Rags Nocturna. Here is their song “Brigid”, written by Caera Aislingeach.



You can download the song (and hear the words more clearly) at the band's CD Baby page.

Cure for Headache...

This was actually number 13. in the list of headache cures on the page

Old Cures

from Firoda National School in Castlecomer, between Portlaoise and Kilkenny.

1. Wrap “Brat Bride” around the forehead. This is a scarf placed on the outer door handle on the eve of St. Bridgid to be blessed by the saint as she passes around Ireland.

From blindness to childblains to "a child with wind", you will find the cure for what ails you here.

Remember, though, not all headaches look alike. If it's a migraine you're plagued with, these are the tried and tested cures:

MIGRAINE Lie down in a dark room. Put a wet towel on your head. Drink the tea made from the leaves of the feverfew plant. Take two teaspoons of walnut shells steeped in water. Find a tree whose trunk has the same circumference as the person’s head. Leave a rag on the tree; don’t speak to anyone on the way home.

Image: by Mael Brigde (2006)