Brigantia #2: Funding Unsuccessful

Funding Unsuccessful Posted by Chris Mole (Creator) Hey everybody, As you'll probably have seen, we've unfortunately failed to reach our funding target before the end of the campaign, which means that none of your pledges will be collected. We're going to take some time over Christmas to go back to the drawing board and figure out what to do going forward - we still want to tell Brigantia's story, so we'll try and come up with a way of making that happen. As soon as we've got a plan, we'll let you know! We're obviously disappointed that we couldn't reach the goal, but it's hard to be too upset - we've been bowled over by all of your support for the campaign and all the nice things you've been posting about the story and artwork. Thank you all again for your time and support - we'll be in touch! Chris & Mel

An Dagda's First Books Have Launched!

 

Pagan Portals - The Dagda: Meeting the Good God of Ireland by Morgan Daimler (2018)

Harp, Club, and Cauldron - A Harvest of Knowledge: A curated anthology of scholarship, lore, and creative writings on the Dagda in Irish tradition edited by Morpheus Ravenna and Lora O'Brien (2018)

I'm excited. Two separate books on The Good God, An Dagda, father of the goddesses Brigit, are now available. In my time of devotion to Brigit I have come to know her parent somewhat and fallen in love with him. I am thrilled to have these two opportunities to know him more.

Until now, those interested in The Dagda have had to scrape together their information from widely dispersed sources. In late October Morgan Daimler's Pagan Portals book, The Dagda, was released. A slim volume, like all Pagan Portals titles, it is the first book entirely devoted to this important Irish god. I haven't read it yet, but it sits on the table awaiting my attention. I've read several of Morgan's books and have never been disappointed. 

Minutes ago, Morpheus Ravenna and Lora O'Brien launched their anthology Harp, Club, and Cauldron - A Harvest of Knowledge. Many respected (and beloved) writers and artists have contributed to the book: Isolde Carmody and Chris Thompson from Story Archaeology, Anthony Murphy, author of Mythical Ireland: New Light on the Ancient Past, Segomâros Widugeni, author of Ancient Fire: An Introduction to Gaulish Celtic Polytheism, Valerie Herron, the artist responsible for the delightful works in Ravenna's book on the The Morrigan, The Book of the Great Queen, Morgan Daimler herself, and many others. (I have a poem in there, myself, speaking with Brigit about her father.) Having had a glimpse of the ebook, I am more than ever looking forward to having the book in my hands, .

Now is a great time to have the profile of the Dagda raised. A god of many abilities, protector of his people and linked to the health and balance of his land, he is a powerful ally in a world filled with disharmony and fear. His cauldron of plenty, his harp that can bring sorrow, laughter, or sleep to those who listen, his club which kills with one end and restores to life with the other, his great appetites and his ability to do what needs to be done under any circumstances--An Dagda's influence needs to be felt now more than ever.

It may take a few hours for the anthology to become available--the button is pushed, but Amazon sometimes takes a while to catch up. So if you get a "not currently available" note, fear not. It's on the way.

For those of you who have grown interested in or close with An Dagda, you might also want to join the Facebook group The Dagda's Hearth. I'll see you there, perhaps?

Original Fund-Raising Video for Harp, Club, and Cauldron:

Review: Brigantia #1 (Comic)

Brigantia #1, Chris Mole and Melissa Trender (2017):

Link to Kickstarter for #2

Brigantia #1, Chris Mole and Melissa Trender (2017):

I was surprised and thrilled when I saw Nimue Brown's retweet of Chris Mole's Kickstarter announcement for Brigantia #2. I had not known that #1 existed and I wanted to know more. A quick look at the Kickstarter page told me this was a comic I definitely wanted to read. A seven foot tall, red-haired goddess who fights to protect her people, who is hurled through time to our century, who is wonderfully drawn.

So here I am with #1. I love the liveliness and clarity of the art. A goddess and a god in mortal combat open the issue, followed by the abrupt arrival of Brigantia in the London Underground. The land still speaks to her, but it is strange and incomprehensible; her people, those who believe in her, are long gone. Yet when she was taken from them they were in desperate need of her protection.  

Now, one voice rises in prayer to her, her nemesis appears again, and the battle continues.

A fast-moving and enjoyable read based on the goddess of the Brigantes, Brigantia #1 combines the exhilaration of the superhero comic with a sensibility for the land and her people. It will appeal to Pagans and non-Pagans alike. 

Now! To raise the funds for #2! Just a few days left for the Kickstarter campaign. Donate as little as a £ to enable artist Melissa Trender to work full-time on the project and get it to us by May 2019. (Rewards abound, and I personally have my eye on paper copies of both issues.)

Brigantia Comic on Kickstarter!

Oh, so terribly cool! I hadn't heard of this comic, completely missed issue one. Now issue two is seeking funds to support the artist and allow her to work on it full time, pay the letterer, and cover printing costs. Have a look at their fund-raising video and the gorgeous art at this address:

Brigantia Kickstarter

From their page:

Hurled forwards through time by a magical portal, Brigantia - a Pagan goddess - seeks to defeat the foe who deceived her and return to the world she calls home.

Welcome! The purpose of this campaign is to raise the production and print funds (to pay for the cost of artwork, lettering and printing) of issue #2 of Brigantia, an independent comic book series by writer Chris Mole, artist Melissa Trender and letterer Aditya Bidikar.

Our goal is to create a full-colour, 36-page comic book (UK Standard size, 246x163mm) which continues the story of Brigantia, illustrated and lettered to a professional standard.

Issue #1 of the comic was released in September 2017 after a successful Kickstarter campaign and is now available online and on Comixology and Comichaus:

Saint Brigid Art at Trinity Stores

Brigid of 100, 000 Welcomes

by Brother Mickey McGrath

Trinity Stores is having a sale on its products, and these include seven separate images of Saint Brigid by different artists, including Brother Robert Lentz (Saint Brigid and Saint Darlughdacha), and Brother Mickey McGrath. The images are available on a variety of products, from notecards to votive candles to mugs and t-shirts and of course framed prints.

Saint Brigid at Trinity Stores

Sacred Smithing -- A Whole Nother Marriage Ritual

from Goddess Temple Weddings


My friend Sister Oystercatcher sent me the Samhain newsletter from Glastonbury, and my attention was grabbed by one of the elements they offer in their wedding ceremonies: sacred smithing. They don't mention Brigit but those of you dedicated to Brigit, Smith might want to consider something like this when you tie the knot.

Pre-Wedding Ceremony   Sacred Smithing As part of your Sacred marriage experience we are pleased to offer you a new and exciting workshop for couples! Sacred Smithing is held by our wonderful Smith Dave Goddard (also known as Hugs). It is a deep ritual journey of connection to the elements through the ancient craft of blacksmithing. Hugs will take you on a ceremonial journey to create your very own sacred object or a heart or circle. This will be done in ceremony, using the sacredness of the four elements. Your creation will be woven into your bespoken wedding ceremony on the day. Joanne and Stefan were one of the couples that got married this year. They did the Sacred Smithing in July. Here is what they said about it... "The Sacred Smithing was something else! it was such a gorgeous experience that it makes me well up thinking about it. Dave is an amazing, interesting person and a great tutor! We went into the smithy thinking that we would turn out something that would vaguely look like a heart, but we forged something so beautiful together, such a great thing to do as part of the wedding preparation - would totally recommend it!"

Dreaming of You.

I had a dream last night that I was in Ireland. I had just arrived, and the first thing I did was go to Kildare. The sisters there (not the ones I met before--Srs. Mary and Phil, who actually live at Solas Bhríde) were busy organizing a massive rumble sale. I wish I could remember more detail, but what I do recall brought a chuckle today when I pondered it.

The sister I was talking with--very briefly as she buzzed around doing her work--was thin, elderly, and filled with energy. She was bossy as well as busy, used to giving orders and having them acted upon. She scowled a bit, annoyed with me asking where I should put my backpack and small suitcase so they wouldn't get mixed up with the merchandise. I put them where I thought she'd indicated and got lost in the rooms they had converted over to a marketplace for the fund-raiser.

It was good to be in Ireland. I enjoyed the nun and the people I bumped into, and everyone was keen on getting their bargains. Eventually I found my way back to the place where I thought I'd stored my things, and they were gone. I searched and couldn't find them. I asked the sister, and she shrugged it off, still busy and not really interested.

The only other thing I really remember is thinking to myself, "This happened last year when I came to Kildare, too. Every time I come I lose everything I've brought with me."

When I was reflecting on this dream today I asked myself who that nun was. Was she Sr. Mary? Clearly not. She was the superior, equally clearly. And then it struck me. She was Saint Brigit. And then this clicked in: everything I have ends up with her. Doing her work, supporting her community. And I don't mind. I really, really don't mind.

I left the place with a sense of amusement. Whether I had it in the dream I don't know--I don't think so. I think I was worried about what I was going to do without my stuff. But I didn't need to worry. I was in no real difficulty. 

Thinking further about it now I recall the abundance reflected in Saint Brigit's stories. No one ever need do without. If she takes your stuff, she has a good purpose, and you don't go hungry. No one does hospitality like her. Even if she does get a little distracted and abrupt sometimes.

Image: "Little boy putting money in nun's collection tray," Photographer: Elinor Wiltshire. Collection: Wiltshire Photographic Collection. Date: 1969. Permissions: National Library of Ireland on The Commons.

Auld Grey Mare St. Brigit's Cross Cross-Stitch Pattern (& More by Donna Amaral)

On 11 January 2011 Lynda H. posted her "Brigid's Cross - a Cross Stitch Freebie for Imbolc," which I wanted to share with you here.

If you are into cross-stitch, have a look also at a couple of the late Daughter of the Flame Donna Amaral's Brigit designs:

“The St Bride and St Bridget Churches in Scotland” by Heather Upfield

Detail of Centenary window (1908-2008)
St Bride's Roman Catholic Church, West Kilbride

Preface

This article has been written as a prayer and dedication to St Bride herself. Underpinning this research has been the deeply religious and mystical poem Little Gidding by TS Eliot, one of the Four Quartets (1942). Briefly, the poem was the result of a visit he made to the Church of St John at Little Gidding in England, and the insights he gained from that experience. It is my favourite poem of all time and lines kept coming back to me as I typed. Significantly, to paraphrase part of Stanza Three, when talking of the church building, he says that he isn’t there for mere reportage, but that:

   “…You are here to kneel
   Where prayer has been valid …”

Amen to that. In this piece on the St Bride and St Bridget Churches this is the fundamental truth which underscores my work.

1. Introduction

For over ten years, I have been faithfully recording sites dedicated to St Bridget in Scotland, where she is generally known as St Bride. In addition to features in the landscape, towns and sea, my list includes around ninety-plus ancient (and in the main disappeared) Pre-Reformation St Bride chapels, known as Kilbride (in the Gàidhlig) and Kirkbride (from the Norse). I will be coming back to my research over the next few months but thought I would start by giving some details about the thirty current St Bride/St Bridget churches in Scotland, which are ‘living’ and consecrated for use.

2. A Brief Explanation of the Denominations in Scotland

Firstly, it is important to understand the ecclesiastical system in Scotland, which profoundly differs from the rest of the UK. Instead of just two mainstream denominations—Protestant Reformed and Roman Catholic—in Scotland there are three. An Appendix at the end of this article, gives more detail about the history of and differences between the denominations, but briefly they are:

Church of Scotland. Protestant (Presbyterian). The Established Church in Scotland. Originated 1560 during the Scottish Reformation, which was led by John Knox. Completely did away with any ‘Popish or Roman’ worship and banned Roman Catholicism. Known as ‘The Kirk’.

Roman Catholic Church. After the Scottish Reformation, all their cathedrals, churches and chapels were taken over by the Presbyterians for their own use, and Roman Catholics were forbidden to have places of worship. They met in secret for services, but over time religious laws began to be relaxed and by the mid-nineteenth century the Catholic church was restored. Known as ‘The Chapel’.

Scottish Episcopal Church. Protestant, but considers itself principally Reformed Catholic. Originated in seventeenth century by Scottish Protestants who wanted to return to Pre-Reformation style of worship and traditions. Although having no connection to Rome, the Scottish Episcopal Church was also forced, at times, to meet in secret. Eventually, the Scottish Episcopal Church too was permitted to flourish.

It should be noted, that unlike in England, the Monarch is not, and never has been, Head of the Church anywhere in Scotland!

3. The St Bride/St Bridget Churches

The thirty Bridie Churches are listed below by denomination. It is immediately evident that all the historic Pre-Reformation church buildings dating back to the Celtic Church and Mediaeval period, are now in the hands of the Church of Scotland and have been since 1560. I have labelled these ‘Ancient’ in brackets to illustrate the connections. Also, it will be clear that there are no Roman Catholic or Scottish Episcopal Church buildings prior to 1858, as up till that point both denominations were holding services in houses and other sundry buildings, which continued for many years. It is interesting to note that a number of Churches and Chapels which are dedicated to St Bride have a connection to Clan Douglas (of Lanarkshire and beyond). St Bride is their Patron Saint.

When the Roman Catholic Church eventually constructed church buildings, they were very often financed by members of the congregation with some help from the Diocese. These small communities — in part made up of Irish immigrants fleeing to Scotland from the Potato Famine or coming to work as low-paid ‘navvies’ on Victorian engineering projects — were immensely poor. Their churches reflect that. They are simple buildings (some made of wood) for the Mass and Confession, with little in the way of decoration. In my discussions with Mael Brigde, we talked of “acknowledging the humility” of these buildings and she is absolutely right. Just because they are not grand does not diminish them as sacred spaces. The list of Catholic churches, therefore, is sparse in details because for some buildings, there is very little to write about. However, in some parts of the country, where there was more money, wealthy benefactors were able to invest in elaborate and glorious churches in the traditional style. What is crucial, though, is that these Irish communities brought with them across the sea a love of St Bridget, for they dedicated their churches to her, and it must have seemed like a small part of home.

For Scottish Episcopalians, St Bride’s importance has survived over the centuries, although only two churches are dedicated to her. I could find no links between these buildings and the Ancient churches of the Mediaeval period. St Bride is, however, considered one of the great Celtic Saints of Scotland. The Canon’s stalls in the Quire of St Mary’s Scottish Episcopal Cathedral in Glasgow (each of which is dedicated to a Saint) has a St Bride Stall. When a friend of mine was the first woman priest to be made a Canon of the Cathedral a good few years ago, she chose the St Bride Stall as her permanent seat!

Finally, there are two other St Bride Churches, which do not fit into the three-fold denominations listed above. They are in a section of their own entitled ‘Other’.

3.1 Church of Scotland:

Abernethy Kirk of St Bride, Abernethy, (Ancient), first church founded 460AD, first stone church built 590AD, current built around 1802. St Bride is said to have been buried here before her remains were transported to Kildare. Monastic settlement founded nearby in sixth century (or possibly earlier) dedicated to St Bride. By fifteenth century there are records of Priory of Abernethy, whose counter-seal had a figure of St Bride holding a pastoral staff in her left hand, with a nimbus around her head, and a cow at her feet on the right.

Bothwell Collegiate Church (dedicated to St Bride), Bothwell, (Ancient), on the site of former sixth century church, building dates back to 1398, with subsequent restoration and additions. Partially funded by Clan Douglas. Windows by Sir Edward Burne-Jones, Gordon Webster and Douglas Strachan. Houses the celebrated “Bothwell Embroideries” (twentieth century) one of which is The Life of St Bride.

Brydekirk Church of Scotland, Brydekirk, (Ancient), Current built in nineteenth century, close to remains of a Mediaeval chapel reported to have been in use about 1100AD (some evidence it was built on the site of a previous chapel), beside St Bryde’s Well.

St Bride’s, Douglas Valley Church, Douglas, meets for worship in St Bride’s Community Centre, following amalgamation of Parishes in Douglas Valley.

St Bride’s Ancient, Douglas, (Ancient) built fourteenth century, now partial ruin but consecrated for use. Steeple houses earliest known working clock in Scotland, said to have been a gift from Mary, Queen of Scots. Founded by Clan Douglas, and is the mausoleum for some of their antecedents.

Regarding the following Isle of Arran Churches, the Isle, (14 miles by sea from the mainland) is divided into two Parishes: Kilmory (Church of St Mary) in the west and Kilbride (Church of St Bride) in the east (a very happy pairing!). For such a small island (twenty miles long and ten miles wide) it is perhaps unusual that it has three current and living Churches dedicated to St Bride, with three Mediaeval Kilbride chapels. Given the fact that you can see the northern coast of Ireland from its southern shores and the proximity of the Isle with West Kilbride on the mainland, it is my own theory — which is completely unsubstantiated! — that St Bride landed on the Isle of Arran at some point.

St Bride’s Church, (Isle of Arran) Brodick, built 1910 in red sandstone, architects D & JR McMillan of Aberdeen. Square tower 53 ft high from whence a single cast bell is rung five minutes before the service. St Bride window (1958).

Kilbride Parish Church, Lamlash

Kilbride Parish Church, (Isle of Arran), Lamlash (Ancient), known as The Auld Paroch Kirk, ruins of Mediaeval chapel nearby, current built early 1880s.

Ruins of Mediaeval Kilbride Chapel, Lamlash

St Bride’s Church, (Isle of Arran) Lochranza (Ancient), ruins of Mediaeval chapel nearby, current built 1795, improved 1835 and 1895.

There are remains of a further Mediaeval chapel on the south of the Isle, at Bennan.

St Bride’s Church, Newtonmore, (Ancient), current church built 1955. Remains of sixth century chapel said to be in graveyard: “Ladh gu Cladh Brighde” (Churchyard of Bride).

Panbride Church, Panbride, (Ancient), original church dates from 1147, current built on the same site around 1851. The name of the town of Panbride means Bride’s Hollow (from Gàidhlig ‘Pann’ meaning ‘hollow’) or Bride’s Church (from corrupted Latin ‘fanum’ meaning church).

St Bride’s Church, Sanquhar, (Ancient) original church dates from Mediaeval period demolished 1827, current built 1828 on the site. Stained glass attributable to J T & C East Stewart 1930. Life of St Bride depicted in two-light window, 1949. St Bride’s Well close by.

St Bridget’s Hall-Church, Stonehaven, (Ancient), original church built 1394 near the present site by the Earl Marischal, Sir William Keith, and dedicated to St Brede (St Bride). Current built 1888 and converted to a multi-purpose community facility 1970. Used for worship on Sundays.

3.2. Roman Catholic:

Regarding the towns of East Kilbride and West Kilbride [below], each were originally just called Kilbride. It was not until the coming of the Railways in the nineteenth century that their names were changed, to avoid confusion for travellers as they are forty miles apart.

St Bride’s Church, Bothwell, original church of 1910 closed in 1940 due to damage from mine workings beneath the building. Congregation disbanded but worship eventually continued in Miners’ Welfare Halls in 1957. Current building completed 1973.

St Bride’s Church, Cambuslang, built 1900. Church now in use was originally meant to be church hall. Stained glass by Gordon Webster. Icons of St Joseph, St Bride and Christ in Glory by Petra Clare.

Our Lady and St Bride, Cowdenbeath, built 1921-1923, constructed by Reginald Fairlie.

St Bridget’s Church, Eaglesham, built 1858. Land provided by 13^th Earl of Eglinton. Interior comprises a roof of Californian redwood beams, large canvas of the Deposition of Christ from the Cross by de Surne, and a Madonna and Child statue from Ireland. In 2010 fire destroyed part of the Sanctuary, and the Church of Scotland gave permission for their hall to be used for worship till the restoration was completed in 2011.

St Bride, East Kilbride, built 1963-1964. Built by Gillespie, Kidd & Coia in a very modernist style. The 150 ft Campanile was demolished 1966 due to deterioration of brickwork. St Bride window and St Bride statue on exterior.

St Bride’s, Geirinis, Isle of South Uist, built 1966. Adjacent to the road-side shrine of St Mary, Our Lady of the Isles.

St Bridget’s Church, (Glasgow) Baillieston, built 1893. Beautiful little Gothic style gem! Originally worship took place in an adapted barn. In 1880 church cum school built, followed 1893 by current building by Pugin & Pugin (famous London based architects). Has a two-light window depicting St Bride and St Columba, by Shona McInnes, St Bridget statue on exterior above West door.

St Brigid’s Church, (Glasgow) Toryglen, built 1965. Church founded by Fr Patrick J Sheary, Parish Priest 1955. A letter to his parishioners survives: “My dear people — 25 years have come and gone since I was asked by the then archbishop to go to Toryglen and establish the new Parish of St Brigid - Mary of the Gael”.

St Brigid’s Church, Kilbirnie, built 1862, some extensions and developments in the twentieth century.

St Bride Church, Monifieth, built 1983. Designed by Brocks Brothers of Leeds. Originally, worship was held in a converted cottage, which became the hall when the new church was built. Modernist St Bride window by Gail Donovan

St Brigid’s Church, New Mains, built 1933. St Brigid statue, St Brigid Tapestry (2008) and first stained—glass window in Britain dedicated to The Luminous Mysteries of the Rosary. Original Chapel and School established 1871, now a Parish centre serving the community.

St Bride’s Church, Pitlochry, built in the twentieth century. Original church built 1949 from timber and destroyed by fire 1969. Current designed by A B Kennedy & Sons of Pitlochry. St Bride’s Cross carved by Henry Bain from Aberfeldy in the garden.

Our Lady and St Bridget, West Calder, built 1877.

St Bride’s Roman Catholic Church,

West Kilbride

St Bride’s Church, West Kilbride, built 1908. St Bride is said to have landed on the shore here around 500AD and founded chapels along the coast. Beautiful little building with St Bride statue in vestibule, beneath a glass ceiling which pours in diffused light (see photograph at the end of this article). Modern Centenary window in Vestibule (2008) in four lights (see detail of two lights in the title of this article).

3.3. Scottish Episcopal Church (part of the wider Anglican Communion):

St Bride’s Church, (Glasgow) Hyndland, building completed 1915. Original wooden church of 1899 provided by Clan Douglas, was hauled by traction engine from its location in Douglas Castle grounds, to Hyndland (some thirty miles). Begun in 1903, building work stopped through lack of funds and dissatisfaction with original contractors. Eventually the Incumbent funded the building of the tower and north aisle, but the south aisle was never built, giving the church an interesting interior. St Bride statue on exterior West Wall, St Bride mural in crypt. The link with Clan Douglas could possibly account for this Church being dedicated to St Bride.

Church of St Bride,

Scottish Episcopal Church, Onich

Church of St Bride, Onich, built 1874. On North wall, Chinnery-Haldane memorial windows show St Bride, St Patrick and St Columba. East window shows Christ Coming Again in Glory, with St Bride and St Columba at his feet in welcome.

At certain times, the Eucharist is celebrated in the Gàidhlig:

“Thoiribh buidheachas don Tighearna oir tha e gràsmhor. Agus mairidh a thròcair gu sìorraidh.” Litirdi Albannach, 1982

“Give thanks to the Lord for he is gracious. And his mercy endures for ever”. Scottish Liturgy, 1982

3.4. Others:

St Bride’s Anglican Church (Greyfriars), Dumfries, (Ancient), originally Church of Scotland, built 1727 as Greyfriars Church (after the local dispersed Monastery), rebuilt 1860. Stands on site of former Maxwell’s Castle, which had a St Bride chapel. When surplus to Church of Scotland requirements in 2009, purchased by Revd Andrew Crosbie and functions as an independent Anglican congregation, using both Scottish and English Prayer Books. It was his decision to dedicate this Church to St Bride. Original Abbey Church of the Greyfriars contained the shrine of Our Lady, Queen of the South (which gives its name to Dumfries and the local football team), which has been restored by present Incumbent.

Kilbryde Chapel, in grounds of Kilbryde Castle, Doune, (Ancient), Castle now the seat of Sir James Campbell, chapel built 1750 on site of original Kilbride Parish Church. Sir James informed me there are no significant architectural features. Original Castle built around 1460 and rebuilt 1870s. Chapel would originally have been a private chapel for the Castle incumbents and local villagers. It is now available for hire for Christian weddings, blessings etc of all denominations. Cottages in the grounds are available for self-catering holidays.

Collect for St Brigid’s Day

1 February

Deus, qui nos hodiérna die beátae Brigídae vírginis tuae ánnua solemnitáte laetíficas: concéde propítious; ut ejus adjuvémur méritis, cujus castitátis irradiámur exémplis.

O God, who dost this day gladden us by the yearly festival of blessed Brigid Thy virgin: mercifully grant that we may be helped by the merits of her whose example of chastity shines upon us with such lustre.

Daily Missal, by Dom Gaspar Lefebure OSB, 
                     of the Abbey of St Andre, 1943

APPENDIX

A Brief History

While the Reformation was being led by Martin Luther in Germany in the sixteenth century, in Scotland, around the same time, opposition to the Roman Catholic Church was being led by John Knox, who founded the Church of Scotland. His European influences were John Calvin and Ulrich Zwingler, who advocated a severe and austere method of reform. Principally, John Knox abolished the three-fold order of Bishops, Priests and Deacons, which

(1) dated back to the very earliest biblical accounts we have of the early Christian church and

(2) dated back to the original Celtic Church in Scotland, where there is evidence that St Columba was a bishop.

In their place were Ministers who were overseen by a Presbytery (the governing body at local level). All “Romish practices” were proscribed. The Mass was replaced by Holy Communion four times a year and new churches were built without a central aisle to prevent genuflection. The liturgy, colours, icons, singing, festivals, robes, candles, incense —Christmas Day itself!— all disappeared. Their attitude to the saints was that lessons could be learned from their lives, but any sense of veneration was prohibited, particularly where it involved St Mary (“Mariolatry”).

There followed a hundred years of bloody and systematic cruelty as Protestants and Catholics waged war against each other. Eventually the Presbyterians held sway in Scotland and became what we now call The Established Church. Roman Catholic cathedrals, chapels and churches were taken over by Presbyteries for their own use and it was forbidden for Catholics to have any places of worship. They held services in secret. Any early and Mediaeval chapels of Kilbride and Kirkbride not used by the Presbyterians, eventually fell into disrepair and the stones were taken away and used for other buildings.

During the seventeenth century, a group of Scottish Protestants who agreed with the basic tenets of the Reformation but were unhappy at losing all the pre-existing religious practices, formed the Scottish Episcopal Church. They recovered their roots in the sacred Isle of Iona and the traditions of the Celtic Church and restored the three-fold order of Bishops, Priests and Deacons. The Eucharist (The Mass) was resurrected with the Scottish Liturgy, colours, icons, singing, festivals, robes, candles, incense and Christmas Day. They honoured the saints, particularly St Mary. However, although they did not have any links with Rome, for a time they too were forced to hold services in secret. A key moment in their history was consecrating Samuel Seabury of Connecticut as the first bishop of the newly independent America, after the Church of England declined. The Scottish Episcopal Church is known as ‘a Broad Church’, meaning that some congregations prefer a more simple style of worship, where others go for something more splendid, and others in between.

Eventually, religious laws became more relaxed and there was greater freedom of worship. By the nineteenth century, church building began in earnest for all denominations, but particularly for Scottish Episcopalians and Roman Catholics who till then had no churches. Additionally, the Roman Catholic Church responded to the needs of the many Irish families who came to Scotland during the Potato Famine or looking for work. Since the mid-twentieth century the spirit of ecumenism has allowed for far greater interaction and dialogue, with all denominations being respected and coming together from time to time to celebrate and worship. And yes, in 1958 Christmas Day became a statutory holiday in Scotland!

Near life-size statue of St Bride, vestibule of St Bride’s Roman Catholic Church,

West Kilbride

© Heather Upfield 18 June 2018

All Photography by Heather Upfield, except exterior of St Bride’s Roman Catholic Church, West Kilbride by Emily Churchill and Church of St Bride, Onich by Paul Williment.