Monday, December 27, 2004
Ord Brighideach--The Order of Brigid
http://www.ordbrighideach.org/
Tuesday, November 30, 2004
Brigit of Song & Laughter
Scottish Nobility Re-Enactors Guilde & The Merrie Wreath Consort Renaissance Minstrels
i wouldn't assume that the information about St. Brigit is especially, er, proveable, but what a wonderful bunch of lively friends of Brigit! lovely garments and banners and music and loyalty to Mary Queen of Scots--who could ask for anything more? have a look at their photos and if you are in their neighbourhood...raise the haggis, i guess!
http://www.stbrigit.com/Brigit01.html
Thursday, November 25, 2004
Tending Her Flame
sketch by Daughter of the Flame
Hawthorne, in Australia
to our knowledge there are three groups actively tending Brigit's perpetual flame at present, after a hiatus of a few hundred years. the flame of the Goddess had burned for no one-knows-how-long in Cill Dara--Kildare, Ireland--the Cell of the Oak. as Christianity took root the Goddess was replaced by the Saint, Her flame tended instead by nuns, who kept it for hundreds of years.
in 1993, on the same day--Brigit's Feast of 1 February--a group of Catholic Brigidine nuns and a largely Pagan group of women, unaware of the others' activities, relit Her perpetual flame in Ireland and in Canada. the second group, the Daughters of the Flame, live in many areas of the globe and take turns tending the flame every 20 days. the Catholic sisters have groups in several countries besides Ireland, as well.
some years later, a member of the Daughters of the Flame created Ord Brighideach, a solely online group that would make shifts available to women and men and in great numbers.
if you know of other groups who tend Brigit's perpetual flame, we would love to hear of them. please leave a comment at the end of this posting.
the Brigidine sisters in Ireland don't have a website, but can be contacted at this address:
SolasBhríde,
14 Dara Park,
Kildare, Ireland
you may wish to join their lay group or come on Imbolc for the great festival of Brighid each February. their sisters in Australia can be found at:
http://www.brigidine.org.au/
the Daughters of the Flame can be found at:
http://www.obsidianmagazine.com/DaughtersoftheFlame/
and Ord Brighideach's site is:
http://www.ordbrighideach.org/
Wednesday, November 03, 2004
Peace Beads
both the goddess Brigit and the saint Brighid are featured on this site, and there is a lovely picture of the goddess with a wolf:
http://www.thepeacebeads.com/ourlady/brighid.htm
http://www.thepeacebeads.com/ourlady/stbrighid.htm
Friday, October 01, 2004
Brigit: The Survival of a Goddess
http://druidry.org/index.shtml
several pages dealing with the ancient Celtic Goddess Brigit & her Saintly Successor.
http://druidry.org/obod/deities/brigid.html
Catholic Brigidine Sisters in Australia
from their site at: http://www.brigidine.org.au/#
Reading and responding to the signs of the times led Daniel Delany, Bishop of Kildare and Leighlin, to establish the Congregation of the Sisters of St Brigid (Brigidine Sisters) in 1807. In the shadow of the penal days in Ireland the need for education and revitalizing the faith was stark. Six ordinary Irish women came together in Tullow on the first of February to begin this work. The fledgling congregation was placed under the patronage of Our Lady and St. Brigid and Bishop Delany planted a sapling from the oak at Brigid's abbey in Kildare as a sign that the work begun by Brigid had sprouted again. Over almost two hundred years the Brigidine Sisters have continued to read and respond to the signs of the times, branching out to various parts of the world to work in education, ever-widening pastoral ministries and to work for social justice.
Continuing active engagement in the wide-ranging issues of right relationships, equal access to the world's resources and other issues of justice have given rise to the following commitment:
for the community of life
and we will continue to work
to further compassion and justice
for humanity and the earth.
The Town of Saint Brigid's Birth
Contains info about Saint Brigid's birth in the area, and various shrines and monuments which honour her. Also instructions in making Brigid's Crosses.
http://www.iol.ie/~scphadr/brigid.html
From the site of Scoil Phádraig Naofa, "a small, Irish, rural school located near the east coast on the border between Northern Ireland and the Republic. Our nearest towns are Dundalk and Newry." Created by the students.
Online Audio Meditation by Mara Freeman
guided meditation
The Forge in the Forest Meeting Brigit--triple-goddess of healing, smithcraft, and inspiration. | |
Mara Freeman: voice and zither
Gerry Smida: harp, keyboards, percussion |
The goddess Brigit presides over the early springtime festival once known as Imbolc in Ireland, and is associated with smithcraft, a sacred art in many primal cultures. The smith transforms the ore from the lower world with the fire of the upper world to create something new and beautiful. The following meditation takes you to Brigit's forge to gain inspiration for your own creativity. Place a candle and matches in front of you before you begin.
|
http://www.beliefnet.com/story/98/story_9865_1.html
HOW TO POST A COMMENT!
How To Post A Comment
A lot of people get confused by this. Fear Not! you use it by going to the blog, reading a message (or ignoring the message--that part doesn't matter), then going to the bottom of ANY message where there is a solid line and then the words:
posted by Daughter of Brigit (TIME) PM 0 comments
you click on the word "comments" and the message comes up again with all the comments that have already been posted to it below.
at the bottom of the last comment you will see this:
posted by Daughter of Brigit (or by somebody else) (TIME) PM
0 Comments:
Post a Comment
if you click on Post a Comment you will get to say whatever you like and either sign in as anonymous or, if you have a blog on blogspot, by your blogger name. if you have to use anonymous, you can sign your name at the bottom of your comment, if you want.
see you there!
Sunday, September 19, 2004
The rites of Brigid, goddess and saint by Seán Ó Duinn
A woman for our times: St Brigid of Ireland by Rita Minehan
A woman for our times: St Brigid of Ireland
A great resurgence of interest in all aspects of our Celtic heritage is leading many individuals and groups to rediscover - and draw inspiration from - the lives of the early Irish saints. St Brigid, the patroness of Ireland, is emerging as one whose life has relevance and inspiration for us as we try to face the issues that confront our country and our world at this time. When we look at the life of Brigid and at some of these issues we can see more clearly why she continues to be relevant to us today.
Carer of the earth
The feast of St Brigid on the first of February is a celebration of the wonderful springing back of the earth from its winter sleep. It is the season when we celebrate new beginnings and new life on earth. The sod is turned. The day lengthens. Seeds are sown and sails are hoisted.
Many of the stories about Brigid tell of her milking the cows, churning the milk, making up the firkins of butter, shepherding her flocks of sheep, helping with the harvest and even brewing the ale!
Brigid, in keeping with her Celtic traditions, was wonderfully attuned to the seasons and cycles of nature. She valued the elements of nature: earth, air, fire and water.
Light the fire
Today, we are becoming more aware of the fragility of our planet. Lands are becoming barren, skies fouled, waters poisoned. Many individuals and groups concerned about the environment draw inspiration from the reverence and respect which Brigid had for the land. She is often referred to as the Saint of Agriculture.
In a new hymn, composed by Fr Liam Lawton, Brigid is invoked 'to heal our wounds and green our earth again.'
'A Life of Brigid' (Vita Brigitae), composed by Cogitosus about 650 AD, places great emphasis on Brigid's faith, her healing powers, her hospitality, her generosity, her great skill with animals, and her compassion for the poor and the oppressed. Twenty three of the thirty two chapters tell of her extraordinary concern for the poor. One of the Brigidine legends illustrates this very effectively.
Woman of compassion
One day when Brigid was on a long journey she stopped to rest by the wayside. A rich lady heard about this and brought her a beautiful basket of choice apples. No sooner had she received them than a group of very poor people came by and begged her for food. Without a moment's hesitation, Brigid gave them the choice apples. The rich lady was utterly disgusted and she complained to Brigid, 'I brought those apples for you, not for them.' Brigid's reply was: 'What is mine is theirs.'
This Brigidine legend poses a challenge to all of us in terms of our world today, where forty-five thousand people die from hunger and hunger-related diseases every day and where twenty percent of the population own and consume about eighty percent of the earth's resources.
The poverty gap continues to widen both within and between countries, as the rich grow richer and the poor grow poorer. This legend challenges us to work for a more equitable distribution of the world's resources.
Model of equality
It is generally accepted that Brigid established her abbey and church in Kildare around 480 AD, on the site now occupied by St Brigid's Cathedral. Brigid held a unique position in the Irish Church and society of her day. As Abbess, she presided over the local Church of Kildare and was leader of a double monastery for men and women.
Tradition suggests that she invited Conleth, a hermit from Old Connell near Newbridge, to assist her in Kildare. Cogitosus tells us that 'they governed their Church by means of a mutually happy alliance.'
What emerges from many of these stories and legends about Brigid is the portrait of a strong and gentle woman, a powerful leader, a good organiser, a skilful healer and a wise spiritual guide. Brigid has become - for men as well as women - a potent symbol of Christian womanhood, showing us in so many different ways the feminine face of God.
Woman of peace
There was no lack of domestic strife in the Ireland of Brigid's day, where feuds between clans were commonplace. She is often depicted as a peacemaker who intervened in disputes between rival factions and brought healing and reconciliation. Folklorists tell us that in some parts of Ireland a St Brigid's cross was often used as a token of goodwill between neighbours, indicating a desire for peace and friendship after a local quarrel.
One of the best-known stories associated with St Brigid is that of her giving away her father's precious sword to a poor man so that he could barter it for food to feed his family. Thus, a sword, a weapon of war, was transformed into a life-giving instrument.
This story offers an important lesson for our world today where every minute thirteen million pounds is being spent on weapons of war.
One wonders what links Brigid would make today between the massive expenditure on arms and the welfare of the poor people of the world?
Woman of contemplation
Brigid emerges as a woman of action in the stories, legends and poems about her. If one, however, were to seek the source from which she drew her strength and energy, one could probably find the answer in this story.
One day, Saint Brendan the Navigator stood on a cliff top and watched two whales engaging in fierce combat.
Suddenly, the smaller whale, in a human voice, cried out for help not to Brendan but to Brigid, who was not even present. The cry was answered immediately, and the combat ceased.
Brendan was puzzled as to why he had been ignored. 'Do you always think about God?' asked Brigid, when the two met. 'Yes,' replied Brendan, 'except at times when my boat is caught in a storm at sea and I have to concentrate on keeping it afloat.'
'That's the explanation,' Brigid answered. 'From the moment I first knew God I have never let him out of my mind, and I never shall.'
An old Irish poem, written in the seventh century, speaks of her contemplation of the Trinity:
Deeper than the seas,
Greater than words can express,
Three persons in one only God;
Overflowing with wonder.'
Woman of inspiration
Even today, poets, writers and artists still find inspiration in the symbols, customs and folklore surrounding Brigid.
One writer recently referred to her as 'the woman who, above all others, embodies the spirit of pre-Christian and Christian Ireland'.
In a beautiful leadlight window in Kildare College Chapel, Holden Hill, South Australia (see image) the artist depicts Brigid dancing the dance of the new life of creation, carrying the Spirit of Jesus into the twenty-first century.
Many of the values associated with Brigid are captured in this delightful poem:
Lady, from winters dark,
Star of Imbolc, rise!
Dance around our threshold,
Scattering warm laughter,
Seeds of hospitality,
Tolerance, forgiveness!
Return again to the folk;
You the spring we yearn for!
What a lovely image to carry with us into the future!
This article first appeared in The Messenger (February 2002), a publication of the Irish Jesuits. Reprinted from
Mothering God: Gilbert Márkus
Mothering God |
The Irish in the Middle Ages had an intriguing way of expressing devotion to the Child Jesus. And it was more than mere fancy, writes Gilbert Márkus. |
An old Irish way of exploring a gospel text: Here in Erfurt the Irish, when they’re drunk, These lines were written by an anonymous German poet in the thirteenth century, mocking the Irish monks who lived in Erfurt at that time. He went on to describe how most folk think the Irish are completely mad (not to mention blasphemous) in saying such things. He repeats the kind of argument that the monks might use to prove their strange theory. ‘Whoever does my Father’s will,’ Jesus said, ‘is my sister and brother and mother.’ And if they are brother and mother of Christ, they are brother and mother of God. Deviant Irish monks At first sight the German might seem to be right: why would anyone want to describe Brigid as the ‘mother of God’? Surely that title can only be applied to the Virgin Mary. And yet the Irish did speak of Brigit, their own great female saint, in exactly this way, and before we dismiss the idea as the German poet did, we should ask just what they meant. Mothering the Infant Christ But this is a hymn about Brigit, not about Mary. Another Brigitine hymn says of her that she did not love the world, but she perched in it ‘like a bird on a cliff’ and that: ... the saint slept a captive’s sleep In this hymn Jesus is referred to again a little later as Brigit’s son: A tree that the host could not lift Elsewhere, in an Old Irish Life of Brigit, she is referred to as ala-Máire már Choimded máthair, ‘another Mary, mother of the great Lord.’ Enough has survived of this devotion to Brigit as ‘mother of the Lord’ to show that there was something in the Erfurt poet’s accusation. The Irish did seem to have an unusual way of expressing their devotion to Brigit – and not just when they were drunk, as the poet suggested. But though it may have been unusual, it is not at all unorthodox if we read it in the devotional sense in which it was intended. Of course, no one believed that Brigit had actually given birth to the child Jesus, but the image was a powerfully suggestive way of thinking about her sanctity. Medieval Irish writers explored this imagery in which motherhood was used to express Christian devotion – not only speaking of God as the mother of the Christian believer (an image which has always been part of the Christian repertoire), but by speaking of the Christian as the Lord’s mother, nursing the infant Christ. And they did this not only for Brigid, but also for other saints. Jesus against one’s heart It is little Jesus who is nursed by me in my little hermitage. The poem is put into the mouth of a woman, here a sixth century nun, and it was written to be sung by women. And we might imagine that it would naturally be of more interest to women readers – especially perhaps women in monasteries whose work would very possibly include fostering and caring for abandoned children and others. Two other nuns have a similar story in the Martyrology of Oengus: ‘Eithne and Sodelb used to nurture Christ … and Christ used to come in the shape of a babe, so that he was in their bosom, and they would kiss him, and he baptised them.’ What better validation of their work could there be than the belief that the love such women poured out on children should join them to Christ? Men in a ‘maternal’ role We hear a similar story about St Moling after he has given assistance to a leper. The sick man disappears, and Moling thinks he may have been deceived and declares that he will neither eat nor drink till the Lord comes to him. An angel asks him, ‘In what form would you prefer your Lord to come and hold speech with you?’ And Moling replies that he wants to see him as a child. Some time afterwards Christ sat in his lap (ina ucht) and Moling caressed him until the morning. So both women and men were able to express their closeness to Christ through this imagery of nursing or caressing a child, and perhaps through the ordinary and everyday practice of caring for children in their own households, or their own monasteries. A perfectly natural picture of maternal affection is given new depth when it is seen as an image of the soul’s union with God – not the more usual one of the psalmist who says of his soul, ‘A weaned child on its mother’s breast, even so is my soul.’ This is a reversal: now it is God who is pictured as the child, and the Christian as the mother, protective, nourishing, playful. In a sense it is an unfolding of Christ’s teaching about welcoming children: ‘Whoever receives one such child in my name receives me; and whoever receives me receives not me, but him who sent me’ (Mark 9:37). Doing the Father’s will Here there is less stress on the physical gestures of affection, the dandling and nursing of the child, and more on the Christian response to Christ in faith and love – doing the will of the Father. But it still points towards the same image of the Christian, male or female, as the Mother of the Lord. If at first sight the cult of Brigit as ‘mother of God’ looked a little strange, as it did to the Erfurt poet, on a deeper reading we begin to discover a certain richness in the idea. We find a sense that in caring for children, the weakest people in any society, men and women draw close to God. We always need images for our faith, ways of imagining the unimaginable. Here we find a new and fertile image of God, where feelings of tenderness and playfulness might offer a counterpoint to, for example, the holy fear of the just Judge, and an interplay with such images as the Potter, the Father, the Shepherd. Not just the Irish It was not only among the Gaels that this kind of imagery was popular, and in the middle ages women especially were to find ways of articulating their experience in the context of their faith in this kind of way. As Caroline Walker Bynum writes: ‘Secular society expected women to be intimately involved in caring for the bodies of others, especially the young, the sick and the dying… To some extent women simply took these ordinary nurturing roles into their most profound religious experiences. … Not only did female mystics kiss, bathe and suckle babies in visions and grieve with Mary as she received her son’s dead body for burial; they actually acted out maternal and nuptial roles in the liturgy, decorating life-sized statues of the Christ-child for the Christmas crèche.10 So we find examples outside the Gaelic world of simple and tender images such as those in this anonymous English poem in which the mother laments that she has no cloth to wrap up the infant Jesus to protect him from the cold, and instead she will hold his little feet against her breast. Jesu, sweete, be not wroth, Many nations and cultures, not only the Gaels, explored this imagery of the Christian disciple as the mother of God. The application of the Gaelic title már Choimded máthair to Brigit, ‘mother of the great Lord’, is not some kind of weird error or deviation. It is a natural flowering of the creative mind in love, part of that ever unfolding process of finding new ways to express the love poured into our hearts. This article first appeared in Spirituality, a publication of the Irish Dominicans. |