Sunday, August 31, 2025

The Perpetual Flame at Kildare

 

The Perpetual Flame at Kildare


And what of Brigit’s flame, this central aspect of her modern cult? In medieval times it was tended by her nuns; now it is kept by lay Christians and Neo-Pagans, as well. As mentioned above, many of us believe that Saint Brigit tended the perpetual flame with her sisters, and that it was a holdover of pagan practice – that she may have been a druid dedicated to the goddess Brigit, possibly one who converted to Christianity.


The evidence against this scenario is substantial, whereas to date, none has been found to support it.1 Classical writers speaking of the Celts nowhere mention the tending of perpetual flames. The earliest “Life” of Saint Brigit, written by Cogitosus, a monk in her tradition, was composed not much later than 650 C.E.,2 around a century after her death. It describes Kildare and St. Brigit’s church in detail, yet no mention is made of fire-tending. Nor is there reference to a Brigidine perpetual flame in any Vitae (“Lives”), hymns, prayers, annals, or texts of any kind until the late 12th c., approaching seven centuries after Brigit died. 


We learn of the practice of tending a perpetual flame in Kildare from the Romanised Welsh Briton, Giraldus Cambrensis (Gerald of Wales). In the wake of the Norman invasion of Ireland, as a royal clerk, he accompanied the son of King Henry II, the future King John, on a military expedition to Ireland from 1185 to 1186. The journey resulted in two books, Topographia Hibernica (Topography of Ireland) and Expugnatio Hibernica (Conquest of Ireland). He wrote of Kildare:

 

“The nuns there, nineteen in number, take turns tending a perpetual flame in a sacred place surrounded by a hedge, a place which no man may enter without risking madness or worse. On the twentieth day, though no one touches it, the fire burns on and no ash builds up, for it is tended by the long dead founder of the order, Saint Brigit herself.” Topographia Hibernica Giraldus Cambrensis

 

Various writers have pointed out that Cambrensis or his informant seems to have relied on stories of the Vestal Virgins for some of his details of Brigit’s nuns in this description. Seán Ó Duinn wrote, “It is difficult to know if Giraldus Cambrensis was influenced by the Classics when describing St. Brigid’s perpetual fire, but it is strange that he mentions the number 20 as the number of nuns – the same number from which the Vestal Virgins of ancient Rome were chosen. In Ireland, one would expect the number 9 to predominate.”3


Seven other perpetual flames are known from 12th and 13th century Ireland; all of these were tended by monks, rather than nuns.4 Ritual and household fires were lit from them: if a household’s fire was accidentally extinguished, it would be relit from the fire at the church. Of the hearthstone at Inishmurray, W.G. Wood-Martin wrote that “… fire was always kept burning by the monks for the use of the islanders. In later times, when monks no longer inhabited the cashel, whenever a householder wanted kindling for the family fire, a sod of turf or a piece of wood deposited on this holy hearth ignited spontaneously.”5


As it is in many religions, fire is important in Christian iconography. It represents both the Holy Spirit and light. Jesus describes his followers as the light of the world and God is a “consuming fire.” It’s not surprising then, that Saint Brigit’s fire associations have equivalents in the Lives of male Irish saints.

 

“Lord who enterest my members

   Like the embers Thou dost shine,

Take my soul from out my bosom,

   Cleanse from stain and make it Thine.”


from “Thanksgiving After Communion”

The Religious Songs of ConnachtDouglas Hyde, ed.

 

Taken together, the evidence strongly implies that the perpetual fire tended at Kildare was of very late date, part of a more common Christian practice that emerged long after the death of Saint Brigit, not a practice that she, let alone previous worshippers of the goddess Brigit, would have taken part in. 


Nevertheless, Kildare’s perpetual fire was tended for centuries. It was first extinguished in 1220 by order of Henry de Londres, archbishop of Dublin, only three decades after Gerald of Wales wrote about it. It was later renewed and continued to be tended until ca. 1540 when, during King Henry VIII’s Dissolution of the Monasteries, it was once again snuffed out. 


In time, the Sisterhood of Saint Brigit died away, to be revived at the invitation of Daniel Delany, Bishop of Kildare, in 1807. Brigidines nuns soon spread from Ireland to Wales, England, the United States, Mexico, New Zealand, Australia, Kenya, and Papua New Guinea. In 1992 Sisters Mary Minehan and Phil O’Shea were, in Sister Mary’s words, “asked to come to Kildare and to explore our Celtic Heritage – to reclaim Brigid of Kildare in a new way for a new millennium.”7 They called their home there Solas Bhríde (Brigit’s Light). On Imbolc 1993 Brigit’s flame was rekindledin Kildare by Sister Mary Teresa Cullen, then leader of the Brigidine sisters, at the opening of a conference, “Brigid: Prophetess, Earthwoman, Peacemaker,” organised by Action from Ireland, a justice, peace, and human rights group.


Since that day, Neo-Pagans, Christians, and Christo-Pagans of many stripes have tended Brigit’s flame, and no longer only women, but men and non-binary folk, too. So, however and whenever Brigit’s flame came into being, and whatever the original boundaries that surrounded it, it has broken through those bounds to burn in countless and varied hearts.



 

Endnotes

1. If one day an archaeological dig were conducted in Kildare, at the site of the fire temple, perhaps some of our uncertainties could be answered at last.

2. Connolly and Picard (1987) pg. 5.

3. Ó Duinn (2005) pg. 64.

4. Harrington (2002) pg. 66.

5. Wood-Martin (1902). See Laurie, Erynn Rowan (2015) for a fuller discussion of the matter.

6. Hyde (1906) pg. 401.

7. Interview with Mary Minehan. http://www.tallgirlshorts.net/marymary/sistermary.html


Image: Perpetual flame at Solas Bhride, Kildare, Ireland (2023). Photo by Mael Brigde.

Credit: This post was first published in A Brigit of Ireland Devotional - Sun Among Stars by Mael Brigde (Moon Books, 2021).

Wednesday, August 20, 2025

"Some Old Irish Customs of St Brigid’s Day" by Dr. Marion McGarry

 


30 Jan 2022  NATIONAL MUSEUM OF IRELAND - DECORATIVE ARTS & HISTORY


To celebrate #StBrigidsDay, the National Museum of Ireland, Decorative Arts & History, Collins Barracks, invited historian Dr. Marion McGarry to speak as part of their Culture Club Programme, co-ordinated with the Dublin City Council Culture Company. We are delighted to share this pre-recorded talk, which examines some of the traditions and folk rituals around St. Brigid’s Day in Ireland. 

Dr. McGarry is a lecturer at the Galway Mayo Institute of Technology and author of “Irish Customs and Rituals: How Our Ancestors Celebrated Life and the Seasons”

 

Learn more about the customs and practices of St. Brigid's Day in Ireland here.




Image: screenshot of video cover page, with three-armed St. Brigit’s cross and inset photo of dark haired white woman.

Monday, August 11, 2025

Quicky Picture Book Overview

  


I wrote this on Facebook in response to someone who asked if anyone knew of any books that bring Brigit or Irish Pagan practices into inner child work. At first I could think of nothing, but then it occurred to me that she might get something out of picture books.


I mentioned that I had reviewed some children’s books in A Long Sip at the Well (Brigit book reviews) a number of years ago, and that I have several more on hand awaiting reviews. So I said I would look at those:


Okay. There are too many here for me to properly review them for you, but I will say that whereas the ones to do with the saint usually just take a piece of her lore and make it into a story that would appeal to children (they hope!) — stretching or adapting things in a minor way to suit their purposes, many — most? — Pagan books impose the image of a goddess onto what are traditional Christian stories, rather than creating stories out of the goddess materials from the old Irish literature. They often have outright wrong info, or state as fact things that are theories that are vigorously contested — so I urge you to take everything with a grain of salt and simply see if the story as it is written in the book at hand has anything to offer your inner child.




Having said that, I particularly like:


Brigid and the Butter by Pamela Love. It is very Catholic, and is a teaching tale in the way St. B’s vitae were. It is about generosity and is for younger children.


Saint Brigid the Fearless by Ann Carroll. Also Catholic and a teeny bit teachy, it covers a lot of different stories from her vitae, including the one in the Love book. But it is lively and kind of funny.


My favourite Catholic one from this batch is Saint Brigid and the Cows by Eva K. Betz. It touches on many of her stories, but it also looks at how things were for Brigit, and her feelings.


Of less interest (to me) is The Story of Saint Brigid by Caitriona Clarke. It doesn't try to tell a story, but simply gives certain details of her life, so it is less easy to relate to as a child (inner or outer).


I have only three pagan ones.


Imbolc - Brigid's Feast by Maria Finchenko is a fun read for young children that plays with language and has great pictures. It takes folklore from the saint's cult and pretends it was all about the goddess, which I have trouble with, but what the heck.


The most original, and my favourite of the Pagan books, is Brigid and Her Cloak - an Imbolc Tale, by unknown persons. (I got in touch with them: they refuse to say who wrote and illustrated it. I worry that the illustrations could be AI, but I have no idea how to find out. They are lovely, so I hope they're not.) This one has the goddess walking through a village where people are doing traditional St. Brigit's night activities, and reflecting on what is around her. 


The last is My Name is Brigid by Isca Johnson. This one has illustrations by the late Barbara O'Meara, and I can see the appeal in them for adults, but they seem inappropriate for children. Too murky and indistinct, with no faces — harder, I would think, for a child to be drawn in by than any of the others. I was also shocked that the author, speaking for Brigit, said she had never had children. True of the saint, but absolutely not true of the goddess. Anyway, as feared, I am getting into my pet peeves, and I was trying to stay away from that.


All of these books, and the others I reviewed in A Long Sip at the Well, have lots of good things about them, despite the bits that get up my nose. Perhaps let your imagination wander through one or three of them. (Or one of those in Long Sip.) I would say, for your purposes, the Betz and the anonymous Pagan book might be the easiest doors in. Or the wonderful Brigid’s Cloak — An Ancient Irish Story by Bryce Milligan, which I review in Sip.

Blessings on your explorations. 




Images: Covers of the three books mentioned in the last paragraph.

Wednesday, August 06, 2025

Pagan Portals - Brigid: Meeting The Celtic Goddess Of Poetry, Forge, And Healing Well by Morgan Daimler

 


Do you love Brigit? (Brigid, Bridget, Brig…) Are you her devotee? Or just kind of curious?

READ THIS BOOK! (And if you’ve already read it — read it again. Every time I do I find important bits I either missed or had forgotten.)

Morgan Daimler has done such an amazing job of gathering together and delving into the sources for our many ideas about her. This is an absolutely pivotal text. Please consider (and consider taking on board) what Morgan has to say on so many controversial points. But even if you don’t want your most dear beliefs about Brigit challenged at all (and Brig knows I don’t agree with *everything* Morgan suggests), revel in what you will learn here. Such a tiny book, yet it carries enormous weight.


Image: book cover with woman smith striking an anvil. Lots of red and orange and yellow and fire!

Monday, July 21, 2025

"Listen to the story of St Brigid's Cloak” on RTÉ Jr


 This isn't just an ordinary cloak - this is St Brigid's cloak!

 

What better way to ring in the springtime after a long winter than a picnic to celebrate – but Colmcille’s plans are in danger of being scuppered when he forgets to bring along a picnic blanket. That’s where the story of St Brigid’s cloak comes in.

 

You can listen to the two-part show here now!



Image: Screenshot of RTÉ Jr audio file, St Brigid’s Cloak Part 1.

Tuesday, July 15, 2025

Knowing the Brigit of Lebor Gabála Érenn

 


Wow. You know you are VERY close to something when you can’t figure out if you wrote it or if it is from an old manuscript. I finally figured it out. I wrote it. Of course, it was drawn from an old manuscript, but still, you’d think I’d know which was which…

Daughter of the Dagda 
she it was who had
two sacred cattle
Fea and Femen
and Cirb
king of rams

 

after each
great plains were named

 

with them was Triath
king of swine

 

among them
three demon voices
after transgression

 

whistling
weeping
lamentation

 

this was Brigit
daughter of The Good God
with her
all might in creatures
with her
wild cries in the night

 

—Mael Brigde

 

Drawn from *Lebor Gabála Érenn, Vol. 4*:
“Brigit the poetess, daughter of the Dagda, with her were Fe and Men, the two kings of oxen, from whom is Femen [called]. And with her was Triath, king of her boars, from whom is Treithirne [called]. And with her were heard, the three demonic sounds after transgressions in Ireland, whistling and weeping and lamentation .
“And also with her was Cirb king of the rams, from whom is Mag Cirb [called]. With them were Cerman and Cermat and the Mac Oc.” (translation Daimler, 2015).
Morgan Daimler, Pagan Portals - Brigid, pg. 27.

Or MacAlister’s translation:
“She it is who had (two sacred cattle named) Fea [Fe] and Femen [Men] the two oxen of Dil, from whom are named Mag Fea and Mag Femen. With them was Triath, king of the swine (boars), from whom is Tretherne. Among them were heard three demon voices in Ireland after plunder, to wit, whistling, outcry (weeping) and groaning (lamentation),” and “she had Cirb, king of the wethers, from whom is Mag Cirb named.”
—Macalister, *Lebor Gabála Érenn, Vol. 4*

I am delving into all of this again in order to plan my workshop on Brigit and the voice for Vancouver Pagan Awareness Day.


Poem “Daughter of the Dagda” is from A Brigit of Ireland Devotional - Sun Among Stars by Mael Brigde.

Image of handsome wild boar with muddy snout. Photo by Kevin Jackson on Unsplash.


Sunday, July 13, 2025

"Keening with Brigit — making peace with complex grief” in Divine Wounds by Ness Bosch

 

Writing "Keening with Brigit — making peace with complex grief” for this anthology was a transformative process, and I am still reaping the rewards. I hope that readers will also find it — and the other offerings in Divine Wounds: Finding Healing by Working with Goddesses and Archetypes — a route to continued insight and healing.

I would love to know other folk’s stories of grief and Brigit. Mine deals with the death of my brother, via the death of her son.

From the Facebook page of the editor, Ness Bosch:

OPEN TO PRE-ORDER
DIVINE WOUNDS
This powerful cover by the multi-talented
Emily Carding holds inside a gift of self-love and healing.
"Finding empowerment in working with ancient gods is not new. Sometimes this approach to the deity is born from a wound. The wound is a catalyst of consciousness, which opens windows to other realities and invisible worlds. As a Priestess Hierophant, author Ness Bosch sees women who seek to get closer to the divine, to the Goddess, seeking to restore their connection with the divinity, but also connecting with the possible wounds that those goddesses mirror.
In a painful but beautiful and healing way, the divine wound connects with the human feminine wound, bringing closer Goddess and mortal. This anthology is a collective testament to the survival and resilience of women. It is a reminder that every woman, no matter how deeply wounded, continues to walk hand in hand with others, and sometimes, with goddesses. The wounds we share with these divine figures are not just personal but also universal feminine wounds that have been carried for millennia."
Packed not only stories, crafted by an amazing group of authors, you will find in this book practical exercises, rituals and information to help you connect with the Goddesses present on this volume.
Available to PRÉ ORDER at the usual places:

Image: Book cover with landscape goddess with a hole in her chest and bloody hair, and two ravens in the foreground.