Showing posts with label Mael Brigde. Show all posts
Showing posts with label Mael Brigde. Show all posts

Thursday, August 13, 2026

"Finding Our Voice with Brigit, Goddess & Saint” with Mael Brigde


Last week I attended Vancouver Pagan Awareness Day, here in Vancouver, BC, Canada. In 2025, I offered the workshop “Brigit of the Powerful Voice,” where we looked at the traditional connections between Brigit and the voice, and tied that to our own voices, specifically the ways in which we have had our voices stifled, and ways in which we can reclaim them.

I was very happy with how it went, and subsequently led the same workshop online. This year I decided to fine-tune the workshop for both an in-person and an online venue and shift the focus from Brigit herself to the need to reclaim our voices. In truth, the same material was covered, but I wanted to make it clear from the outset that this would be an opportunity for folk to learn about how they might approach this important life task with the help of Brigit.

This year I added another offering. An hour before the workshop, I occupied the main ceremonial circle to lead a devotional and prayers to Brigit. I was very glad that my friend Ngoc had come with me, because everyone scattered when the previous ritual ended. I began setting up my tiny altar and spreading out the thin blanket Ngoc and I were going to sit on, and then I began the ritual with just the two of us. I felt rather silly at first, and wondered if I should skip it, but that felt wrong. I had committed to leading this ritual, and so I entered into it fully and it was grounding and reassuring to do so. When I lifted my voice to sing — three of the prayers in the ritual were sung — a couple of people joined us, and when it was over the four of us sat and talked for several pleasant minutes.

The workshop itself had a full circle of participants, and it also went well. I was very happy to get to speak with people in person about Brigit and do the work together.

I expect I will do another online workshop in the next few months. Perhaps in November; perhaps in the new year. If you are interested in being on a waiting list, please let me know.

Meanwhile, may Brigit bless you, and may you find your true voice, and set it free. 



 

Images: Two social media images with snowdrops as a background to text telling the names and nature of the two events, with dates and place (8 August, Trout Lake). The first image, for the workshop, has a photo of a pen and a journal, as well. All photos by Mael Brigde.

Friday, February 13, 2026

What is it to be a Devotee of Brigid?


Image: A green square topped with a large pair of yellow quotation marks, followed by the quote:

What is it to be a Devotee of Brigid?

It is a whole life, it is every part of life, it enters everything, whether you are aware of it or not. It starts as a small connection, a simple offering, a lightbulb going off when something in her lore makes sense of a part of your existence, and before you know it she has her hearthlight shining in every question, every crisis, every calling, every song.

Mael Brigde

(At the bottom is the logo og Moon Books, publisher of A Brigit of Ireland Devotional - Sun Among Stars by Mael Brigde.)


Tuesday, September 16, 2025

"Brigit, Poet of the Powerful Voice” - Online Workshop with Mael Brigde (Free)


Brigit, Poet of the Powerful Voice

Sunday, 28 September 2025 1 PM PST 9 PM Irish time/4 PM EST/ 6 AM Melbourne time One of the most striking attributes of the Irish goddess Brigit is her link to the voice, as Poet, Sovereignty goddess, Judge, and whose grief at the death of her son arose in the first keen ever heard in Ireland. Learn about Brigit and sound; draw on her to support your own voice. Bring paper or your phone if you would like to compose a few words under her guidance. ____________

The workshop will consist of background information on Brigit, the Irish poets, and the voice, experiential work, writing, optional sharing, and Q & A. This is an opportunity to learn a little, look more deeply into what we know, and do some powerful work together.

If you are interested in participating in this or a future online workshop, please let me know. I will add you to a mailing list specific to that event.


To register, please go to my website at this link and pop in your email & a note saying you want to attend.  (Search "Say hello" for the message and submission form.)




Image: Pink poetry journal and flame with name and time of workshop, by Mael Brigde


Sunday, August 31, 2025

The Perpetual Flame at Kildare

 

The Perpetual Flame at Kildare


And what of Brigit’s flame, this central aspect of her modern cult? In medieval times it was tended by her nuns; now it is kept by lay Christians and Neo-Pagans, as well. As mentioned above, many of us believe that Saint Brigit tended the perpetual flame with her sisters, and that it was a holdover of pagan practice – that she may have been a druid dedicated to the goddess Brigit, possibly one who converted to Christianity.


The evidence against this scenario is substantial, whereas to date, none has been found to support it.1 Classical writers speaking of the Celts nowhere mention the tending of perpetual flames. The earliest “Life” of Saint Brigit, written by Cogitosus, a monk in her tradition, was composed not much later than 650 C.E.,2 around a century after her death. It describes Kildare and St. Brigit’s church in detail, yet no mention is made of fire-tending. Nor is there reference to a Brigidine perpetual flame in any Vitae (“Lives”), hymns, prayers, annals, or texts of any kind until the late 12th c., approaching seven centuries after Brigit died. 


We learn of the practice of tending a perpetual flame in Kildare from the Romanised Welsh Briton, Giraldus Cambrensis (Gerald of Wales). In the wake of the Norman invasion of Ireland, as a royal clerk, he accompanied the son of King Henry II, the future King John, on a military expedition to Ireland from 1185 to 1186. The journey resulted in two books, Topographia Hibernica (Topography of Ireland) and Expugnatio Hibernica (Conquest of Ireland). He wrote of Kildare:

 

“The nuns there, nineteen in number, take turns tending a perpetual flame in a sacred place surrounded by a hedge, a place which no man may enter without risking madness or worse. On the twentieth day, though no one touches it, the fire burns on and no ash builds up, for it is tended by the long dead founder of the order, Saint Brigit herself.” Topographia Hibernica Giraldus Cambrensis

 

Various writers have pointed out that Cambrensis or his informant seems to have relied on stories of the Vestal Virgins for some of his details of Brigit’s nuns in this description. Seán Ó Duinn wrote, “It is difficult to know if Giraldus Cambrensis was influenced by the Classics when describing St. Brigid’s perpetual fire, but it is strange that he mentions the number 20 as the number of nuns – the same number from which the Vestal Virgins of ancient Rome were chosen. In Ireland, one would expect the number 9 to predominate.”3


Seven other perpetual flames are known from 12th and 13th century Ireland; all of these were tended by monks, rather than nuns.4 Ritual and household fires were lit from them: if a household’s fire was accidentally extinguished, it would be relit from the fire at the church. Of the hearthstone at Inishmurray, W.G. Wood-Martin wrote that “… fire was always kept burning by the monks for the use of the islanders. In later times, when monks no longer inhabited the cashel, whenever a householder wanted kindling for the family fire, a sod of turf or a piece of wood deposited on this holy hearth ignited spontaneously.”5


As it is in many religions, fire is important in Christian iconography. It represents both the Holy Spirit and light. Jesus describes his followers as the light of the world and God is a “consuming fire.” It’s not surprising then, that Saint Brigit’s fire associations have equivalents in the Lives of male Irish saints.

 

“Lord who enterest my members

   Like the embers Thou dost shine,

Take my soul from out my bosom,

   Cleanse from stain and make it Thine.”


from “Thanksgiving After Communion”

The Religious Songs of ConnachtDouglas Hyde, ed.

 

Taken together, the evidence strongly implies that the perpetual fire tended at Kildare was of very late date, part of a more common Christian practice that emerged long after the death of Saint Brigit, not a practice that she, let alone previous worshippers of the goddess Brigit, would have taken part in. 


Nevertheless, Kildare’s perpetual fire was tended for centuries. It was first extinguished in 1220 by order of Henry de Londres, archbishop of Dublin, only three decades after Gerald of Wales wrote about it. It was later renewed and continued to be tended until ca. 1540 when, during King Henry VIII’s Dissolution of the Monasteries, it was once again snuffed out. 


In time, the Sisterhood of Saint Brigit died away, to be revived at the invitation of Daniel Delany, Bishop of Kildare, in 1807. Brigidines nuns soon spread from Ireland to Wales, England, the United States, Mexico, New Zealand, Australia, Kenya, and Papua New Guinea. In 1992 Sisters Mary Minehan and Phil O’Shea were, in Sister Mary’s words, “asked to come to Kildare and to explore our Celtic Heritage – to reclaim Brigid of Kildare in a new way for a new millennium.”7 They called their home there Solas Bhríde (Brigit’s Light). On Imbolc 1993 Brigit’s flame was rekindledin Kildare by Sister Mary Teresa Cullen, then leader of the Brigidine sisters, at the opening of a conference, “Brigid: Prophetess, Earthwoman, Peacemaker,” organised by Action from Ireland, a justice, peace, and human rights group.


Since that day, Neo-Pagans, Christians, and Christo-Pagans of many stripes have tended Brigit’s flame, and no longer only women, but men and non-binary folk, too. So, however and whenever Brigit’s flame came into being, and whatever the original boundaries that surrounded it, it has broken through those bounds to burn in countless and varied hearts.



 

Endnotes

1. If one day an archaeological dig were conducted in Kildare, at the site of the fire temple, perhaps some of our uncertainties could be answered at last.

2. Connolly and Picard (1987) pg. 5.

3. Ó Duinn (2005) pg. 64.

4. Harrington (2002) pg. 66.

5. Wood-Martin (1902). See Laurie, Erynn Rowan (2015) for a fuller discussion of the matter.

6. Hyde (1906) pg. 401.

7. Interview with Mary Minehan. http://www.tallgirlshorts.net/marymary/sistermary.html


Image: Perpetual flame at Solas Bhride, Kildare, Ireland (2023). Photo by Mael Brigde.

Credit: This post was first published in A Brigit of Ireland Devotional - Sun Among Stars by Mael Brigde (Moon Books, 2021).

Tuesday, July 15, 2025

Knowing the Brigit of Lebor Gabála Érenn

 


Wow. You know you are VERY close to something when you can’t figure out if you wrote it or if it is from an old manuscript. I finally figured it out. I wrote it. Of course, it was drawn from an old manuscript, but still, you’d think I’d know which was which…

Daughter of the Dagda 
she it was who had
two sacred cattle
Fea and Femen
and Cirb
king of rams

 

after each
great plains were named

 

with them was Triath
king of swine

 

among them
three demon voices
after transgression

 

whistling
weeping
lamentation

 

this was Brigit
daughter of The Good God
with her
all might in creatures
with her
wild cries in the night

 

—Mael Brigde

 

Drawn from *Lebor Gabála Érenn, Vol. 4*:
“Brigit the poetess, daughter of the Dagda, with her were Fe and Men, the two kings of oxen, from whom is Femen [called]. And with her was Triath, king of her boars, from whom is Treithirne [called]. And with her were heard, the three demonic sounds after transgressions in Ireland, whistling and weeping and lamentation .
“And also with her was Cirb king of the rams, from whom is Mag Cirb [called]. With them were Cerman and Cermat and the Mac Oc.” (translation Daimler, 2015).
Morgan Daimler, Pagan Portals - Brigid, pg. 27.

Or MacAlister’s translation:
“She it is who had (two sacred cattle named) Fea [Fe] and Femen [Men] the two oxen of Dil, from whom are named Mag Fea and Mag Femen. With them was Triath, king of the swine (boars), from whom is Tretherne. Among them were heard three demon voices in Ireland after plunder, to wit, whistling, outcry (weeping) and groaning (lamentation),” and “she had Cirb, king of the wethers, from whom is Mag Cirb named.”
—Macalister, *Lebor Gabála Érenn, Vol. 4*

I am delving into all of this again in order to plan my workshop on Brigit and the voice for Vancouver Pagan Awareness Day.


Poem “Daughter of the Dagda” is from A Brigit of Ireland Devotional - Sun Among Stars by Mael Brigde.

Image of handsome wild boar with muddy snout. Photo by Kevin Jackson on Unsplash.


Sunday, July 13, 2025

"Keening with Brigit — making peace with complex grief” in Divine Wounds by Ness Bosch

 

Writing "Keening with Brigit — making peace with complex grief” for this anthology was a transformative process, and I am still reaping the rewards. I hope that readers will also find it — and the other offerings in Divine Wounds: Finding Healing by Working with Goddesses and Archetypes — a route to continued insight and healing.

I would love to know other folk’s stories of grief and Brigit. Mine deals with the death of my brother, via the death of her son.

From the Facebook page of the editor, Ness Bosch:

OPEN TO PRE-ORDER
DIVINE WOUNDS
This powerful cover by the multi-talented
Emily Carding holds inside a gift of self-love and healing.
"Finding empowerment in working with ancient gods is not new. Sometimes this approach to the deity is born from a wound. The wound is a catalyst of consciousness, which opens windows to other realities and invisible worlds. As a Priestess Hierophant, author Ness Bosch sees women who seek to get closer to the divine, to the Goddess, seeking to restore their connection with the divinity, but also connecting with the possible wounds that those goddesses mirror.
In a painful but beautiful and healing way, the divine wound connects with the human feminine wound, bringing closer Goddess and mortal. This anthology is a collective testament to the survival and resilience of women. It is a reminder that every woman, no matter how deeply wounded, continues to walk hand in hand with others, and sometimes, with goddesses. The wounds we share with these divine figures are not just personal but also universal feminine wounds that have been carried for millennia."
Packed not only stories, crafted by an amazing group of authors, you will find in this book practical exercises, rituals and information to help you connect with the Goddesses present on this volume.
Available to PRÉ ORDER at the usual places:

Image: Book cover with landscape goddess with a hole in her chest and bloody hair, and two ravens in the foreground.