Showing posts with label RTÉ. Show all posts
Showing posts with label RTÉ. Show all posts

Sunday, June 09, 2019

I Knew Brigit Had a Lot of Character: Fadó - the video game merging Irish myths with modern tech



From top left: St Patrick, Fionn Mac Cumhaill, St Bridget and Cú Chulainn

How fun is this?





Fadó: The video game merging Irish myths with modern tech



As a video game hero, St Patrick is certainly an untapped resource. 

So, too, is St Bridget, a figure who can be interpreted from Irish mythology as either a "very ancient, pre-Christian or even pre-human person who came to Ireland thousands of years ago", or as "a young woman working in the first millennium". 

That's according to Fionn Keeley, the Irish creator of Fadó, an independent role-playing game (RPG) based on the figures and legends of Irish mythology, including Fionn Mac Cumhaill, Cú Chulainn and - yes - the Salmon of Knowledge...


Updated / Monday, 3 Jun 2019 12:04



So begins Ryan's RTÉ article. Follow the link here, or on the title above to read the whole article.




Image: RPG characters by  Fadó

Wednesday, April 01, 2015

Pilgrim Walks, Ireland, 4 April 2015--Get Ready to Commune!


Thanks to RTÉ The History Show for giving me the headsup on the upcoming Pilgrim Walks that will be taking place around Ireland this Easter weekend. They traditionally went from monastery to monastery but things have changed a tad from the middle ages. Featured below is the St Brigid Walk.


Brigid’s Way – Pilgrim Paths Day Event – Saturday April 4th 2015

Pollardstown Fen
St. Brigid in Kildare  – Brigid’s Way Celtic Pilgrimage’s final day route.


Overview: Brigid’s Way Celtic Pilgrimage has recently become the 13th National Pilgrim Path in Ireland, the first female Irish Saint to be so honoured. On Pilgrim Paths’ Day, we walk the route of the final day of this 9 day pilgrimage (which charts St Brigid’s journey from her birthplace & Shrine in Faughart, County Louth to her Abbey, Healing & Garden Wells in Kildare). We will start at Pollardstown Fen (pictured) in Kildare along the boardwalk of this picturesque hidden local treasure, then continue through country lanes to the magnificent Curragh & into the heart of Kildare Town to St. Brigid’s sacred sites including her Fire Temple in the grounds of the Cathedral, both her wells and finally new Solas Bhríde Centre (pictured below) for their welcome hospitality. Come to walk in the glorious Kildare countryside, meet new people and honour and receive the blessings of St. Brigid.
Suitability: This easy walk follows the wooden boardwalk of Pollardstown Fen, small country lanes (paved minor roads), the grassy Curragh terrain, footpaths around Kildare Town and St Brigid’s Fire Temple and Wells, which also have grassy sections. Please bring suitable walking shoes or boots, water, snacks/lunch, sun screen or weather gear (please check the local forecast).
Highlights:
  •     Pollardstown Fen
  •     The Curragh
  •     Kildare Town
  •     Solas Bhride Centre and Hermitages
There will be (optional) opportunities for guided or private prayer at:
  •     Rathbride, St Brigid’s Healing Stone at the edge of The Curragh
  •     St Brigid’s Fire Temple, in the grounds of her cathedral in Kildare Town
  •     St Brigid’s Healing Well, close to the National Stud
  •     St Brigid’s Healing Stream
Distance: 13 kms, 8 miles.  Approx 3 hours.
Time:    Meeting at 9:30am for bus to start point.Solas Bhride Kildare
Meeting Place: Park & meet at the Solas Bhríde Centre car park, Tully Road, Kildare at  9.30am sharp (for more information about the start/end point see http://solasbhride.ie/). We’ll take a hired bus to the start point together. Note: You must register in advance for a place on the bus by emailing info@brigidsway.ie.
Cost: €5.   We also invite you to make a donation to the new Solas Bhríde Centre & Hermitages during your visit.
Organised By: The Brigid’s Way Celtic Pilgrimage team and Solas Bhríde team, Kildare.
For more information and to book a place on the bus, please email: info@brigidsway.ie.

spacer







Leave a reply

Sunday, February 08, 2015

RTÉ: Biddy Boys, Then and Now


From the archives of RTÉ (Raidió Teilifís Éireann) comes this 1965 clip from Newsbeat on the Biddy Boys tradition, showing a judging of several groups, and featuring discussion of some of the Brídeógs on display. I don't see a way to embed this one so please click on the link below.


On Saint Brigid's Day we take a look back to the customs and traditions surrounding this day as it was celebrated 50 years ago.
In a custom similar to the Wren Boys, reporter Seamus McConville takes a look at the Biddy Boys. The report features a procession of Biddy Boys in South Kerry in honour of Saint Brigid. The Biddy Boys are grown men dressed in costumes, who carry Saint Brigid Dolls called 'Brideogs', traditionally made from their grandmother's hair. The best dressed Biddy Boy wins a prize. 
A local man Mr. O'Siochru outlines the traditions relating to the Biddy Boys, the dolls and the costumes. Saint Brigid's feast day is on 1 February each year, which is also traditionally the first day of Spring.  
The Biddy boys tradition is largely confined to South Kerry, parts of County Cork, County Kildare and County Fermanagh.
This episode of Newsbeat was broadcast on 1 February 1965.

This latest Biddy Boys story was shared on Facebook on 1 February 2015 and doesn't seem to have a presence elsewhere on the web. Here's hoping the link works!


Today marks the beginning of the St Brigid's festival to celebrate spring. Kerry has an ancient tradition known as the Biddy, with roots to an older pagan festival.






Sunday, October 26, 2014

Brigit's Birthplace: RTÉ Documentary on Faughart, Ireland


From Geolocation
At St. Brigit's Shrine in Faughart, Co. Louth, pilgrims have long come to pray the stations and tie up offerings of cloth in order to leave their troubles behind them. Blathnaid Ní Chofaigh of RTÉ explores the area to learn more about St. Brigit and her cult.

From Brigit of Faughart Festival
An impressive moment in the film is watching local woman, Una Casey, making a rush cross while chatting with Blathnaid--one strong enough to kick to Dundalk without it coming apart.

Cross Making with Una Casey in the County Library
Una has been making Brigit's crosses since childhood, and gives workshops in the craft, above at the County Library, and also at the Brigit of Faughart Festival.



(Click here to watch on YouTube.)

Sunday, July 07, 2013

The Door Into the Dark: Memories of an Irish Smithy


The Forge

All I know is a door into the dark.
Outside, old axles and iron hoops rusting;
Inside, the hammered anvil’s short-pitched ring,
The unpredictable fantail of sparks
Or hiss when a new shoe toughens in water.
The anvil must be somewhere in the centre,
Horned as a unicorn, at one end and square,
Set there immoveable: an altar
Where he expends himself in shape and music. 
Sometimes, leather-aproned, hairs in his nose,
He leans out on the jamb, recalls a clatter
Of hoofs where traffic is flashing in rows;
Then grunts and goes in, with a slam and flick
To beat real iron out, to work the bellows. 

Seamus Heaney

1969

The other evening I was listening to a podcast from RTÉ.ie (Raidió Teilifís Éireann) which reminded me of Brigit, and thus of you. She was not mentioned, but one of her areas of expertise was the basis of the story: smithcraft. 

The Door Into the Dark, a fifteen minute excerpt from a longer documentary by  MaryAnn Vaughan, shares the memories of Pat Vaughn, Co. Waterford, of his father's forge, which closed in 1992. I enjoyed it so much I put images to it and saved it as a video to share with you all. If you like it, you might check out some of the many other shows at Documentary on One

'Documentary on One is the home of Irish radio documentaries and the largest library of documentary podcasts available anywhere in the world. We tell stories in sound, mostly Irish ones, and each documentary tells its own story.'



I liked the bellows operated by rope.
A hand or a foot pedal – I don’t remember.
But that blowing and blazing of fire!
And a piece of iron in the fire, held there by tongs,
Red, softened, ready for the anvil,
Beaten with a hammer, bent into a horseshoe,
Thrown in a bucket of water, sizzle, steam.
And horses hitched to be shod,
Tossing their manes; and in the grass by the river
Plowshares, sledge runners, harrows waiting for repair.
At the entrance, my bare feet on the dirt floor,
Here, gusts of heat; at my back, white clouds,
I stare and stare. It seems I was called for this:
To glorify things just because they are.
Translated by the author and Robert Hass

For those who want more, there is a truncated but interesting documentary on the Tradition of Blacksmithing in Ireland at Audioboo. (The intact portion is 86 year old Eamon Madden, master blacksmith from Athenry, interviewed by Ella McSweeney.)



"Think at the forge, work at the anvil."
"A blacksmith's children are not afraid of sparks." (Danish proverb)

Thursday, June 21, 2012

RTÉ, the St. Brigid’s Cross and the significations of domesticity


Ciarán Swan of The Design Research Group ( Design, Representation, Society ) posted this intriguing essay on 14 May 2007. I am including the full post here but only one of the graphics. Please follow the link to the original posting to see the other two images:


Incalculable good, irreparable harm: RTÉ, the St. Brigid’s Cross and the significations of domesticity.

New Year’s Eve, 1961 7.00 p.m. and the first words to be heard by a grateful nation on Telefis Éireann were the following read by Éamon de Valera.

“I am privileged in being the first to address you on our new service, Telefis Éireann. I hope the service will provide for you all the sources of recreation and pleasure but also information, instruction and knowledge. I must admit that sometimes when I think of Television and Radio and their immense power, I feel somewhat afraid. Like atomic energy, it can be used of incalculable good, but it can also do irreparable harm. never before was there in the hands of men an instrument so powerful to influence the thoughts and actions of the multitude”.

And accompanying those words was a simple stark image that was to remain the visual signifier for RTÉ for the best part of three decades afterwards.

This was the St. Brigid’s Cross. This symbol woven from rushes or straw was a feature of Irish houses for centuries. The first record of it dates from the 17th century, although some believe that the genesis of the Cross was in pagan sunwheels. But in it’s more recent incarnation it has an interesting symbolism which links in part to the mythos around St. Brigid who is the second patron saint of Ireland and as a woman embodied a range of significations. According to legend St. Brigid wove a cross in order to convert a dying man to Christianity.

Édith Cusack, head of Women’s Programmes was the one to suggest the use of the Cross as the symbol of Telifis Éireann.. (worth noting that Telifis is in fact a neologism developed by the actor Éamonn O Guallai from tele (from afar) fis (vision).

Between 1988 and 1989 a new logo replaced it which dispensed with the St. Brigid’s Cross. This generated sufficient controversy due to that feature that it lasted only one year. There was no St. Brigid’s Cross in the next logo used, but in 1993 it was reintroduced as a visual projected against stones from the entrance to Newgrange. This elision of two rather different times from Irish history and culture is interesting in itself, but

Again it vanished for five or six years only to reappear in a similar fashion in 1998.

But this wasn’t the first time the state utilised the symbol. In the late 1940s and early 1950s the Department of Health used it on much of their printed material. In this instance it was a hand rendered illustration of the straw cross accompanied by the Irish name of the Deparment in Gaelic type. In truth the symbol worked well on the printed page, with a clarity that lent itself to black and white printing.


READ MORE!