Saturday, July 12, 2014

Adomnán's Holy Well Blog: Saint Bridgid’s Well, Kildare



Holy Well by features postings on a small number of significant Irish holy wells, with photographs and in-depth articles. The article on Kildare focusses in large part on Brigit's "role in the establishment of the abbey in Kildare", giving the piece a different perspective than many popular writings on Brigit.

I include it in its entirety here but urge you to see it and the other pieces in their original home.

See also "Saint Brigid’s Well, Liscannor, County Clare."


Holy Well

Finding holy well sites in Ireland and recording both religious practice and lore.



Tuesday, March 27, 2012


Saint Bridgid’s Well, Kildare
The welcoming hands at the parish of Saint Brigid

“Amid the galaxy of the saints, how lustrous, how divinely 
fair, shines the star of Brigid, the shepherd maiden of 
Faughard, the disciple of Patrick the Apostle, the guardian
of the holy light that burned beneath the oak-trees of 
Kildare! Over all Ireland and through the Hebridean
Isles, she is renowned above any other. We think of
her, moreover, not alone, but as the centre of a great
company of cloistered maidens, the refuge and helper
of the sinful and sorrowful, who found in the gospel that
Patrick preached a message of consolation and
deliverance. Let it be remembered that the shroud of
Patrick is deemed to have been woven by Brigid's hand;
that when she died, in 525, Columcille, the future apostle
of Scotland, was a child of four. So she stands midmost
of that trilogy of saints whose dust is said to rest in Down.”
--Alice Milligan (from ‘Irish Heroines’)

Interior of Saint Brigid's Cathedral

When Saint Brigid was given leave to pursue her religious vocation she is 
said to have gone to Kildare to establish an Abbey where she reigned as
its first Abbess. During the medieval period this abbey became
hugely significant throughout Ireland and its Abbess wielded considerable 
political power. This power was retained right through to the time of the
Flight of the Earls, when it is rumoured that the nuns of the abbey were 
raped as a potent symbol of the final breaking of the religious and
political power of the Abbess. From this time on the famous flame of
Brigid fell into cold ashes until more recent times.

The ancient High Cross in the cathedral grounds

I’ve already written a little of Saint Brigid in other places and I
don’t want to repeat what I have already said.  Here, I would
like to say more of her role in the establishment of the
abbey in Kildare. Saint Brigid first enters Irish history as a
disciple of Saint Patrick, acclaimed by Saint Fiech, also a
disciple of Patrick. Fiech flourished around 520AD and is
said to have written a life of Saint Brigid. This is now lost bar
a few cursory fragments, but his somewhat astonishing
hymn of praise to Saint Brigid – ‘Audite Virginis Laudes’ –
still survives. The hymn is a list of miracles attributed to
Saint Brigid listed in alphabetical order with each line
composed of sixteen syllables. There is a longer and fuller
version in the manuscript of Saint Magnus, but to my
knowledge this has never been reprinted or translated.
In any case even shortly after her death, Brigid was already
being honoured as a Saint and was to prove an incredible
inspiration for many Irish saints of the period, most notably
Saint Brendan, Saint Ultan, Saint Erc, Saint Fiech and Saint
Ninnicíus (her chaplain while she was alive). By the
Middle Ages, Saint Brigid was one of the best known and
greatest loved of all saints throughout all of Europe. She
appears regularly in the Breviaries of the Middle Ages and
continues to be mentioned (although with lessened
materials and hymns attributed to her honour) up until the
printing of the 1522 Venice Breviary and the 1622 Paris
Breviary. Some of the Breviaries of the Middle Ages even
contained an Office of Saint Brigid which was reproduced
in the Kilmoon Breviary here in Ireland (only some very
badly damaged fragments of this manuscript now survive,
but a better copy is preserved in the Antiphonary of
Clondalkin).  Brigid became so greatly honoured in Ireland
that she became known as ‘Mary of the Gael’ and many of
the stories of her life by the early medieval period begin 
to draw strong parallels between her and the Mother of God.

Chapel of the Reserved Sacrament on the parish of Saint Brigid


There has been a persistent rumour that Brigid took up
her religious vocation at the very tender age of fourteen. To
this day the people of Dundalk insist that the church at the
top of Faughart Hill is part of the original foundation of Saint
Brigid. It may be possible they are right, but records point
to it being the dwelling place of a holy woman, who in all
likelihood had a deep influence on Brigid. This woman is not
considered to be a saint and there is some confusion as to
her real name. She does appear to have been honoured in some
way though, because a church was built on the site of what was
supposed to be her home - possibly out of interest in her
possible link to Saint Brigid. Kildare, however, remains
the main site associated with Saint Brigid and her order of
nuns. While abbess there she is described as being fearless,
strong willed and politically astute. She held a deep concern
for the poor and was particularly keen to care for the sick
and ill – hence why so many of her wells are considered to be
healing wells.

 The site of the well and the statue of Saint Brigid

It is now generally believed that in the period of early Christ-
ianity in Ireland, that the native Irish did not hold a
common pagan pantheon of gods and goddesses, but rather
that each area held its own beliefs and practices (this is also
attested to in quite a number of the records of the early Irish
saints); some having a complex order of gods and goddesses,
while other areas practiced something akin to animism or
elemental worship. It is in the area of Kildare and Athlone that
Saint Brigid is said to have found a substantial area where two
main systems of belief held great sway over the people. In
Athlone, worship of the moon prevailed as the dominant form
of belief (‘Ath’ meaning ford and ‘Luan’ meaning moon. Kildare
means ‘place of the oak’). In Kildare, the properties of light and
heat were honoured in the form of fire and a fire temple was
said to have been kept alive by many worshippers. It was at the
fire temple that Brigid is said to have established her commun-
ity, using the site as a new focus for a better light to the people.
This is an incident that demonstrates her political astuteness.
Rather than condemn the people in their fire worship, she
quietly turns it to her advantage and sustains a place of
ancient reverence as a new Christian community and overlays
it with a new symbolism to suit her mission. Saint Brigid is
said to have kept this flame alive as a potent symbol of the
light of Christ, but sadly the flame was to go out. The flame was
snuffed out by a Norman Bishop and then again by Henry VIII -
who was likely the last person to snuff it out. In 1993 the 
Brigidine Sisters (a new order of nuns that associates itself 
with the charism of Saint Brigid) symbolically re-lit the flame
of Saint Brigid and plans were set in place to create an eternal
flame in the heart of Kildare town. On 1st February in 2006
a well made bronze monument to house Saint Brigid’s flame
was unveiled by President Mary McAleese, but the flame has
since been replaced by a rather horrible plastic flame effect!

Saint Brigid's Holy Well

There are two significant churches in Kildare. The oldest
church is Saint Brigid’s Cathedral and round tower, with the
remains of a high cross and the fire temple in the grounds.
The original foundation would have been a wooden structure,
but the cathedral was built in stone between 1223 and 1230
and even by this stage it had been repeatedly ravaged. By 1500
it was in a semi ruinous state and left completely derelict in
1649. An attempt was made to partially rebuild it in 1686, but
it wasn’t until 1875 that work began in earnest to make it a
functioning and safe church to worship in once again. It’s an
interesting building with many well preserved fine stone
carvings. Tour guides will tell you that a Sheelagh-na-gig can
be found on the Wellesley tomb in the cathedral – it’s a lie!
Unfortunately it is a rather dull cherubic acrobat, unusual,
but no Sheelagh-na-gig (if such things exist at all!)

Saint Brigid's Cathedral

The Roman Catholic parish of Saint Brigid has a modern
interior, which works well in some aspects, but not in others.
It does have some rather beautiful bronze doors with
welcoming open hands as handles! However, even here it
is somewhat disheartening to see a modern myth retold as
if it were fact. Not so very long ago a ‘learned academic’ from
TCD decided to make a pronouncement that Patrick likely
never existed, that Brigid was really the pagan goddess
Brigit and that neither had been properly canonized as Saints
by the Roman Catholic church. As you can imagine it made a
little flurry in the press.  There has been some confusion over
Brigid’s name and its spelling, but this is not uncommon
among Irish saints. She is referred to at times as Saint Bride
by Saint Ninnicíus, as Saint Brigit by Cogitosus and Saint
Ultan and mainly as Saint Brigid by all others. All names
refer to the same person. The idea that there was ever a pagan
goddess with the same name is highly unlikely and hugely
speculative. There is a brief reference to a goddess with the
name of Brí in Cath Maige Tuireadh, a twelfth century
document and some try to cite references to her in ‘The Book
of Invasions’ (Lebor Gabála Érenn), an eleventh century work.
Both of these texts have been repeatedly cited as evidence for
the existence of a pagan goddess by the name of Brigid, Bride
or Bridgit. Maybe I’m too skeptical, but I’m really not convinced
by this at all. None of Brigid’s contemporaries relate that her
name bears a strange closeness to a pagan god, neither do
any of her subsequent biographers – a fact that it would be
very hard to believe would have escaped their notice.

The remains of the fire temple in the grounds of the cathedral

Saint Brigid’s well is actually a little way out of the town of
Kildare towards the National Stud. Legend has it that Saint
Brigid was in fact Abbess over the women’s abbey in Kildare
and also had control and governance of the men’s monastery
which was very close to the site of this well. Whatever the
truth of the matter, by the ninth century the monastery has its
own male Abbot and the well would have been important for
both practical matters and religious ones to the adjoining
monastery. Saint Brigid is said to have used the well to baptize
converts.

The arch marking the point where the underground river surfaces

The well is in a somewhat unusual setting. It’s down a narrow
road towards a modern house near the National Stud. Horses
peer curiously at passing pilgrims. As you enter the area it is
fenced off from the surrounding countryside with trees planted
 - some dedicated to the work of cross community groups and
planted in hope, and others in memory of loved ones and
planted in faith. The well is up at the far end of the enclosure; a
circular and deep well, surmounted by a stone cross. Pilgrims
traditionally say prayers at each of the tiny stone ‘stations’
leading up to the well (the stones are said to mark the course
of the underground river).

 A collection of items left at the shrine during the pattern

The site is maintained by the Brigidine Sisters and they have
done a terrific job. The statue of Saint Brigid by sculptor
Annette McCormack dominates the site a little more than
it should, but otherwise this is a fine area, peaceful and
reflective. The stillness of the water in the well and the sound
of the bubbling water below as it passes under the arch erected
over two ancient stones makes for a rather beautiful place. A
pattern is observed here every 1st February and many events
take place in the churches and in the town of Kildare around
this date. Events are usually posted on the towns website.

 A tree planted in hope

This well is supposed to have a little fish. Lady Gregory, co-
founder with W. B. Yeats of the Abbey Theatre and renowned
folklorist, records a story of a mother whose daughter began
to lose weight just before she reached puberty. The child very
quickly became seriously ill and her mother fretted greatly and
prayed most fervently. She decided in desperation, that she
would find somewhere a place that would bring healing to her
daughter. She endeavoured to bring her ailing child to Saint
Brigid’s well and as she prayed over the face of the wells waters
she saw a little fish and knew in that instant that her prayers
had been answered. The child took some of the waters and was
healed.

 Rags tied to the tree above the well

The idea of a fish in a well as a sign of God’s presence or as a
visitation of God is rather peculiar to Irish Christianity of that
early period. Of course, the fish was the principle Christian
symbol in the early period of Christianity - a much more
dominant symbol than the cross, so it is hardly surprising that
in early Irish Christian tales of the presence of God or of visit-
ations from God that the visions are of fish and not of a cross.
Later – although not much later it must be said – the cross
becomes the dominant symbol of Christianity throughout Ire-
land  and when saints have visitations of God it is sometimes 
accompanied by visions of a cross. Today at the well you will 
certainly see many crosses; perhaps if you are lucky you will 
see a little fish and enjoy the healing peace of this place.

The well waters

Brigit Bé Bithmaith

Bright, eternally good lady,
Golden sparkling flame,
May she lead us to the eternal kingdom,
The dazzling shining sun!

May Brigit deliver us
Past throngs of devils;
may she rout before us
the temptations of each attack.

The dear true virgin
Of immense honour,
I shall always be safe
With my saint from Leinster.

A portion of Saint Ultan’s ‘Hymn to Saint Brigit’, translated by 
Stokes & Strachan in 1901.


How to find it:
From the town head out past the Roman Catholic parish
towards the National Stud, traversing the motorway. After
passing the gates to the National Stud on your left, take the
first turn to the right and the well is signposted to the left,
down the lane.



Friday, June 27, 2014

Houston's "Brigid’s Place": A Sanctuary for the Female Soul


From the Brigid's Place webpage.



Mission Statement

Brigid’s Place provides education, dialogue and celebrations to foster women’s spiritual and personal transformation.

Our Organization

Brigid’s Place started with the financial support of the women of Christ Church Cathedral. Now more than 15 years later, seekers from all over South Texas and Louisiana, members of Christ Church Cathedral and people from other churches and places have been taking part in Brigid’s Place events. Many of our event participants are people who have become uncomfortable with certain aspects of organized religions yet are hungry to continue their spiritual growth and are searching for the sacred in their lives.
We believe that people with a spiritual hunger are looking for a place where they can ask questions about the meaning of life and their spiritual journey. There are no membership requirements. Many programs are offered free of charge and scholarships are often available for those who need them.
Brigid’s Place has often been called “a sanctuary for the female soul.” We offer opportunities to pray and meditate, alone or in community, find support and direction in small groups and conversations within community. Our academic aspect emphasizes a broad range of topics such as women’s voices, gender roles, women’s spiritual histories, theology and the scriptures, women and work, women and families, and all of the issues confronting women and men in our evolving society.
We were named after St. Brigid, a fifth-century Irish Celtic saint who founded a monastery for men and women who were known for their wisdom, compassion, hospitality and healing. The monastery was based on the social concept of equality between women and men.

St. Bride's Chapel-of-Ease in South Uist

From the Hebridean Parishes of Ardkenneth and Bornish:

Fàilte!

Welcome to our parishes. Situated in the beautiful and windswept island of South Uist in the Outer Hebrides, Scotland - we are two parishes and two chapels perched on the edge of the Atlantic. On a still day you can sit in our churches, made holy through generations of prayer and listen to the faint singing sound of 3000-mile-old Atlantic breakers. Please stay a while and explore - and one day please come and visit us!

St. Bride's, Gerinish

St Bride's, Gerinish, was opened in 1966. It is a simple 'chapel-of-ease' for Ardkenneth Parish. The Church bears the name of one of the patron saints of the Western Isles - St Bride. Inside the Church we have a large St Bride's Cross and artwork by our parish artist, Michael Gilfedder, depicting the Sacred Heart and the Blessed Virgin Mary.


Saturday, May 24, 2014

Brigid’s Blessing by Joanna Powell Colbert


Thanks to Becky of the Daughters of the Flame for this one.

From the SageWoman blog
Witches and Pagans Magazine


(Brigid speaks:)
May you accept this offering of my Sacred Fire. 
May your heart and hands burn with creative passion.
May you bring forth poetry, music, and art!
May your head burn with the fire of seership, marking you as shaman or bard.
May your hands be healing hands, glowing with inner light.
May you allow yourself to be transformed in the flames of my forge.

Celtic Beer--From the Digital Medievalist


This posting comes from a blog I follow, Scéla: A Digital Medievalist’s Blog, by Lisa L. Spangenberg. My editing hand twitches a bit as I read it, but what the hey--enjoy!

·         January 19, 2014 by Lisa

2,550 year-old barley grains, post malting, from Eberdingen-Hochdorf
Ogma was a brewer, and so was Goibhniu, the smith god. Brigid was also a brewer, and there a many references to the consumption of beer in medieval Celtic texts. In that context the recent find that six specially constructed ditches previously excavated at Eberdingen-Hochdorf a 2,550-year-old Celtic settlement, were used to make high-quality barley malt, an essential beer ingredient. (You may recall Hochdorf as a principle Celtic site, where among other important finds in the museum is the grave of the Hochdorf prince.)

Archaeobotanist Hans-Peter Stika of the University of Hohenheim in Stuttgart has published a paper in which he discusses the results of chemical analysis of some of the thousands of charred grains of barley found in the six ditches. The paper, published on January 4, 20 in Archaeological and Anthropological Sciences is titled “Early Iron Age and Late Mediaeval malt finds from Germany—attempts at reconstruction of early Celtic brewing and the taste of Celtic beer.”

You can read the abstract, linked above, or download the .pdf of the paper, but the analysis of the malt, in the context of what we know about early brewing in the La Tène Period, fifth –fourth century BCE, Stika suggests that the beer would like have been somewhat smokey in character, with a sour taste (keep in mind that beer in this era would not have used hops).


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Saturday, April 26, 2014

Brigit & Her Sister


To my surprise my nonreligious mother last week requested that I get her a statue of Brigit because she likes mine so much. So here she is.





Sunday, April 20, 2014

Dance of Bride - Jana Runnalls



I have mentioned before the CD "Songs of Bride" which was produced by the Friends of Bride's Mound as a fund-raiser. Here is one of the tracks, an instrumental by Jana Runnalls called 'Dance of Bride'. The image used in the video is by Kat Brown, and is from Jana's website.



You can learn more about Jana Runnalls at http://www.sacredhome.co.uk.
To buy the CD, click here.


Saturday, April 12, 2014

Daughters of the Flame: Shifts Available



 If you are a woman who is interested in tending Brigit's flame, there are a couple of shifts free with the Daughters of the Flame. Please comment below and I will contact you. (Comments are moderated so I will not publish your comment unless you want me to, but will just get your contact information from it.)

From our website:

On Imbolc, 1993, the Daughters of the Flame lit a fire in honour of the Goddess Brigit and the saint Bridget, modelled after the perpetual fire which once burned in Kildare. We share the task of tending the flame, on a twenty day rotation; each woman tends the fire in her own way, so that it is a solitary devotion linked to the devotions of a larger group. On the twentieth day the Goddess Herself keeps the flame alive. Instead of burning in one grove, temple, or monastery, it burns on personal altars, desks, and picnic tables in countries east and west, south and north.

The reasons for rekindling are many. It is a celebration in our own lives of Her triple aspects of poet, healer, and smith. It is one effort to address the need for a global network of magical prayer, with special emphasis on some of the traditional concerns of Brigit. These include peace and reconciliation, sharing of wealth so that all will flourish rather than protecting wealth for a few, guarding the land and the creatures which nourishes us and share our lives, being tender with and caring for ourselves and each other. It touches on the need of individual women for a focus and a community through which to develop our personal spiritual practice, to reduce isolation and aid in developing our thought and learning while maintaining the autonomy of working as a solitary, if that is what we prefer or how we find ourselves due to life circumstances. It is, however, very much a self-motivated discipline, both in terms of tending the flame and in connecting with others in the group.

Although members have primarily been Neo-Pagans, Daughters of the Flame is open to any woman who is called to light her flame.

Cill Badges for the Daughters of the Flame by Donna Amaral

Did Brigit Love Animals Like a Good Celt Should?


Drawing by Giraldus Cambrensis in his Topographia Hibernica. British Library, Royal MS 13 B VIII, fo. 10v
I'm reading an interesting article by Cristina Olsen, "Did Brigit love animals like a good Celt should? An inquiry into Cogitosus's 'Life of Saint Brigit'". It touches not only on Brigit but on our understanding of the Celtic (most particularly the medieval Irish) attitude toward animals and nature. I got the article through an interlibrary loan; innocent that I am, I only recently learned that I could access these buried-in-vaults articles this way, when I don't have direct access to a university library that carries the particular journal I need.

To give you a sense of what it's about, I will quote a few paragraphs. She begins:

"The analysis in this paper stems from an examination and critique of a genre of modern-day literature that makes broad claims concerning a universal Celtic appreciation of the natural world and a love of animals.* The term "love" itself is problematic. Today in the western world loving nature subsumes principles of aesthetic appreciation not necessarily shared by peoples from other times and places. Given the scarcity of information concerning Celtic societies, it is impossible to draw broad conclusions regarding how ancient Celtic people viewed nature.

"A perusal of the history of western thought concerning the natural world suggests that a burgeoning love of nature is a relatively new phenomenon in the development of western human conscience. While the ancient Greeks and Romans were interested in nature for agricultural as well as aesthetic reasons, it was not until the late eighteenth century that the educated elite, fleeing the spreading cloud of urban industrialization, discovered the "Delightful Horror" of the wilderness and the mountains...

"By the mid-twentieth century, as we awakened to the possibility of nature's annihilation, human imagination attached itself to the elusive Celts, hoping to find amongst the dim vestiges of the ancient people wise counsels concerning the proper stewardship of the natural environment. In other words, the notion that Celts (Pagan or Christian) loved nature is unlikely to be other than a romantic projection reading back into the distant past the present sense of nature's impending demise...

"It is true that there are depictions of nature in Irish literature that intrigue us. However, I am not so sure that we have a clear understanding of what constitutes the Irish or Celtic "approach to the natural world"...In this paper I critique these tendencies to romanticize the ancient Celts and suggest an alternative approach to understanding the Celtic sense of nature by analyzing three animal stories in Cogitosus's seventh-century Life of Saint Brigit. If we truly wish to understand the relationship of the ancient Celts to their natural environments, we need to set aside our mythmaking and return to the primary sources, in this case the text."

In her conclusion, Olsen writes:

"...the animal stories in the Life of Saint Brigit are not about the animals but about Brigit's power and authority over all aspects of rural life in the environments of Kildare and, if Cogitosus would have his way, over all of Ireland. The animals are merely pawns in Brigit's hands in order to demonstrate the strength of her God-given power, and nowhere is there any evidence that these animals elicited concern in their own right.

"That the Life of Saint Brigit is replete with animal stories indicates that they were important; the analysis presented above demonstrates in what sense they were important...they were the center of the Irish rural economy."

Of course there is much more than this but I shall have to leave it here. For those interested in hearing her arguments in full, the bibliographical information is all below.

Blessings on you and your animal friends!


* "A full bibliography of the genre is too vast for footnoting, but the trend is best represented by Caitlin Matthews, The Elements of the Celtic Tradition...and Peter Beresford Ellis, Celtic Inheritance..." She then lists a large number of "works with a specific Christian outlook" beginning with Esther de Waal's Every Earthly Blessing: Rediscovering the Celtic Tradition.

"Did Brigit love animals like a good Celt should? An inquiry into Cogitosus's 'Life of Saint Brigit'" by Cristina Olsen. COMITATUS--A JOURNAL OF MEDIEVAL AND RENAISSANCE STUDIES  Vol/Issue: 33, Date: Jan 1, 2002, Pages: 1-17

Monday, March 24, 2014

Notes from Lady Gregory's "The Story Brought by Brigit"



Though it would be unwieldy to include the whole play, Lady Gregory's notes may prove of interest to readers. I include here the opening pages to whet your appetite, then move on to the notes at the back of the book.

The play was published in 1924, and first performed at the Abbey Theatre in Dublin. Fans of Irish theatre, check out the original cast listed on page 90.

For my review of the play click here.






Friday, March 14, 2014

Bealtaine Study Day with Woman Spirit Ireland



Bealtaine Study Day
Mercy International Centre, 64a Baggot Street Lower, Dublin 2

Saturday 29th March 2014

10:30 - 5:00

(tea at 10:00)

WomanSpiritIreland


Exploring ancient Irish Mother Daughter Sites and Stories

Mirroring one another into creativity:

Celebrating the mother-daughter relationship.

 In the past, WomanSpiritIreland has celebrated Brighid, Goddess, Saint, and Wise Woman at her Springtime festival of Imbolc, February 1st. Over the years, we have learned that Brighid of Imbolc is but one manifestation of the Old Wise Woman, The Cailleach, whose traditions are found all over the world, and have been especially honoured and preserved in Ireland and Scotland.
Brighid, therefore, also appears in various guises at the other three quarterly festivals: Bealtaine, (May 1st); Lughnasadh, (August 1st) and Samhain  (November 1st).
At Bealtaine, May 1st, Brigit appears as the Inion Buí (In yeen Bwee), or Daughter of the Hag or Cow. Throughout Ireland, we find sites dedicated to The Cow and the Calf. Sometimes these are called Inion Bui, and sometimes they are related to Bláthnait, (The Little Flower), who comes into bud at this season.
Our study day this year will also begin to explore, excavate and celebrate the mother-daughter relationship in its excruciating joy and ambivalence.    
For many years now the feminist movement has yearned to recuperate a symbolic system and ritual tradition that honours and brings to consciousness the dialectic between mother and daughter.   Against the cultural resonances of mirror, mirror on the wall, who is the fairest of them all - that attempt to set women in permanent opposition -- stories of the Cailleach and of Saint Brighid  (who freed her own mother from slavery) offer new images and potential. Drawing on such stories, personal reflections and BodySoul work, we will attempt to mirror one another - beyond destructive envy -- into creativity and liberation.
Who should come?
It will be of particular relevance to teachers, community and parish workers and those leading women's groups who wish to recuperate rituals, symbols and other resources to celebrate the mother daughter relationship at Bealtaine and to nourish their communities. 
What will they come away with?
Resources including songs, dances and stories from mythology and folklore, which will support them in developing and leading events in their own communities.
What to bring
Bring a packed lunch and a hand mirror.  Please also bring any Maytime traditions from your local area  - stories, songs, images and photographs of the Cailleach and her daughter, to share during the day.   Tea and coffee will be provided on arrival (10:00) and at lunch.

Resource Persons
Ann Concannon is a Sister of St. Louis who works in facilitation and leadership training.  She is interested in learning and sharing the Circle Dance tradition.
Mary Condren, Th.D is director of WomanspiritIreland and teaches at the Centre for Gender and Women's Studies, Trinity College Dublin:http://www.tcd.ie/cgws/staff/mcondren.php  
Fiona Rooney-FitzpatrickB.A. An archaeologist, for 13 years Fiona's work has been informed by Authentic Movement, Bodymind centring, Tai Chi and Ki-Aikido.  She has engaged in BodySoul professional training for many years.


Also contributing:    Fionnuala Bates, Brid Buckley, Joy Powell, Chris Neylon.


 Venue:  Mercy International Centre, 64a Baggot Street Lower, Dublin 2

 Subscription:  70 euro for the day;   Early Bird, 50 Euro for bookings received before Tuesday 18th March.   Tea & coffee provided on arrival (10 o'clock) and at lunch.

 or by cheque, to WomanSpiritIreland,
 60 Belgard  Green, Cookstown Rd., Tallaght, Dublin 24, Ireland       
 Contact:  Instfr@gmail.com : Please note: our website has been hacked and stolen,  and we are awaiting its rebuilding.
 (Scroll down for images)


(Tao Cross of Kilnaboy, Co Clare)


(Hag's Chair, Cairn T, Loughcrew, Co Meath)

(Pictish Mirror Stone)